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Chicago Tribune jazz critic Harriet Choice plays and discusses some favorite records from her own personal collection with Studs Terkel.
Studs interviews Erik Bye about Norwegian immigration to America and his music. They discuss the reasons why people left Norway in the 19th century and the conditions they suffered when they settled in New York. Bye explains Norwegian history and why the Norwegians moved from the American east coast to the west. Studs notes that Bye is in Chicago to gather information to produce a Norwegian television documentary about early Norwegian immigrants. Bye shares his interpretations of some of his songs and explains Norwegian music.
Otto Friedrich discusses his "Time" magazine piece, his writing, and American history. Songs "Yankee Doodle Dandy," "Free America" by Joseph Warren, a German song, an 18th century Boston Tea Party song, and an 18th-century British soldier song have been removed for copyright restrictions.
Studs interviews Chicago Tribune reporter turned opera composer, Dan Tucker. He discusses how his music was inspired by poets Federico García Lorca and William Shakespeare and authors Peter S. Beagle and Christopher Fry. Sasha Gerritson, soprano and founder of the L'Opera Piccola opera troupe, David Laub, bass baritone, and David Richards, L'Opera Piccola music director and pianist are in studio and talk about their work and thoughts on the opera songs.
Celebration in honor of the 100th anniversary of Ernst Toch's birth
Journalist Bob Greene joins Studs Terkel to talk about his book “Billion Dollar Baby” and about his experience on tour with rock and roll band Alice Cooper. Greene talks about the band’s inception and their grotesque performance style, and comments on society’s (particularly the youth’s) acceptance and adoration of this band despite their violent message, and the irony of that adoration. Studs connects the band’s success to the society’s acceptance to the Vietnam War.
Studs interview with Irishman, Bill Leahy, on the political complexities surrounding Ireland in the 1960s-1970s. Leahy provides some historical background of the IRA and British colonial occupation of Ireland. They discuss Irish music, the Civil Rights Movement in Ireland, and contemporary myths about Ireland. Several Irish songs were played, but many of the titles were not captured. Planksty's music was played twice.