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Shel Silverstein discusses his books "Lafcadio: The Lion Who Shot Back" and "Uncle Shelby's ABZ Book".. Shel Silverstein discusses his books, children's literature, and cartoonists.
Rilla Bergman, Lou Fant, and Bill Reese converse with Studs about The National Theater for the Deaf and the production they are presenting. Two of the actors Ms. Bergman and Mr. Reese discuss what it took to learn, as hearing people, the best ways to express themselves with sign language. They all talk about how much more expressive the actors in the Deaf Theater have to be to convey the message of the piece they are presenting.
Sebastiao Salgado, a Brazilian documentary photographer and photojournalist, converses with Studs about his book "Workers: An Archaeology of the Industrial Age". Mr. Salgado shares stories with Studs of the people he has photographed, and the things he has learned about the perseverance of human nature. Several songs are interspersed;
Studs interviews Rolf Liebermann, director and composer, at the Hamburische Staatsoper in Hamburg, Germany. Liebermann explains some history of previous directors and performances. Many artists and operas are mentioned, but only a few were focused on in detail. Liebermann explains details about the operation of the opera highlighting the budget and the functions of the opera house. The recording stops short toward the end of the interview.
Charles M. Schultz gave high praise to Robert L. Short's book, "Parables of Peanuts". Long explained Schulz's comic strips and his thoughts of cruelty among children. Short further explained that Schulz's comic strips turns the readers back to themselves and gives the readers the opportunities to see their own lives as they really are.
Robert del Tredici photographer, artist, and author discusses the history of nuclear weapon production plants around the United States and the effects of nuclear radiation.
Richard McLanathan discusses his book "The American Tradition in the Arts" and takes Studs on a sprawling journey through artistic breakthroughs in architecture, painting, literature, and more while touching on dozens of artists and their works.
Richard Florsheim discusses the relationship between artists and museums, the role of art institutions, and the commodification of contemporary art.
Richard Demarco discusses the importance of riding the art experience of snobbery and the importance of art as relevant to everyone. In addition, Richard speaks on the work of Jimmy Boyle, convicted criminal turned successful artist. Demarco prompts the question: "Is art the language that transcends philosophy?"
Authors Richard Cahan and John Vinci discuss architecture and photography in Chicago, focusing on the works of Richard Nickel and Louis Sullivan. Includes an interview with Richard Nickel.
Discussing the book "An Anthropologist on Mars: Seven Paradoxical Tales" (published by Knopf) with the author, neurologist Dr. Oliver Sacks.
Misch Kohn (from the state of Indiana, son of Russian immigrants) talks about his upcoming exhibition that traveled all around the country in which artwork such as "Season in hell", "My Grandfather's Mustache", "General", "Three Generals" among others. Talks about his creative process and what is the outlook of the state of visual arts.
In Mary Lynn Kotz's book, "Rauschenberg, Art and Life," Kotz recounts the works and story of 20th century art pioneer Robert Rauschenberg. They survey his career beginning in Port Arthur, TX, discussing his Depression-era upbringing which caused him to reuse and salvage virtually any object and transform it into art, his studies in Paris, made possible by the G.I.
Marcel Marceau, world renown mime, talks about when he performed in prisons in France, Germany, and Chicago, including death row inmates who he could not see. He also discusses moments where he met famous silent actors such as Charlie Chaplin, Harpo Marx, and Stan Laurel. They then discuss childhood and aging. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.