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The blues and jazz are topics covered by Ralph Ellison. Ellison himself started to play the trumpet at the age of seven. Ellison said for him, when hearing classical music, he then had to go and find classical literature.
Music performance by Oscar Brown, Jr.
Studs interviews Phyl Garland about her book "Sound of Soul." They discuss the history of music and how black music influenced white music. Studs reads a quote from her book where she quoted Lerone Bennett. Garland also reads from her book a few times. They discuss how music changed over time for blacks from spirituals to slave songs to the blues because it was a reflection of their lives. Garland explains how blacks used music to help them through their trials and frustrations.
Studs interviews Phyl Garland about her book "Sound of Soul." They discuss various musicians that she mentions in her book and their influence on black music. Garland explains the music of young black artists and how commercialization of music gave blacks an opportunity that they would not have had otherwise. Garland talks about how Fannie Lou Hamer used music to express her message in the Civil Rights Movement and as a women's rights activist. Studs and Garland discuss various black female artists and their music.
Angelou discusses: her early life; her international travels; dancing; blues and jazz music; and the book "Youngblood" by John Oliver Killens. Musical selections have been removed due to copyright.
Angelou discusses: her early life; her international travels; dancing; blues and jazz music; and the book "Youngblood" by John Oliver Killens. In this program "In the Evening (When the Sun Goes Down)" and "Joe Turner No. 2 (Blues of 1892)" by Big Bill Broonzy, "I Ain't Gonna Pick No More Cotton" by Sam Lightnin' Hopkins is played, as well as other musical selections.
Singer Harry Belafonte discusses Black music including spirituals and jazz and how it has contributed to American culture.
Dempsey Travis presents a jazz program and discusses the life, the music, and the community of Chicago jazz from before The Great Depression until World War II. Travis discusses 1920s-1930s Chicago for Black families including rent parties, breakfast dances, employment opportunities, union strikes, and jazz.