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Margie Adam, musician, activist, and composer, discusses how events such as the women's movement and the lesbian-feminist movement inspired her to create music for her new album, Another Place. The album reflects on Adams's life and on topics such as her sexuality.
Leonard Bernstein discusses his career as a composer along with his thoughts on American culture, musical theater, Black music, classical music, and education; music is played throughout the program including songs from Marc Blitzstein's play "The Cradle Will Rock."
Terkel interviews Jonathan Miller about Shakespeare theater with some comparisons between American and English theater. They also talk a great deal about American drama, actors, and theater.
Studs interviews John Eliot Gardiner about his career in baroque music and his background and interests. Studs announces that Gardiner is performing at Orchestra Hall in Chicago. Gardiner explains the instruments that his group uses and how they are different and capture the original sounds of pieces. He also describes the history and time period of baroque music. Gardiner explains various pieces that the choir performs such as Handel's "Israel in Egypt" and Henry Purcell's "King Arthur." The musical numbers are removed from this edited version of the original recording.
Considered one of the most influential 20th-century composers, John Cage and musician/composer Peter Gena discuss their upcoming performance at the Rubloff Auditorium. Cage's pieces will be featured at this performance, including Hymnkus.
John Cage and Merce Cunningham discuss their collaborations of choreography and music. They discuss their influences and careers. Includes a clip of an earlier interview with John Cage.
Ivan Moravec discusses his career, classical pianists, and composers. He also discusses his colleagues or contemporary pianists.
Interview with Jim Bolle and young musicians Cheryl Griffin, Clyde Jennings, Lotilda Hudson, Joseph Johnson, Stephen Graham.
While visiting Paris, France Studs talks with Henry Barraud. Monsieur Barraud speaks of writing three different types of Opera: Grand Opera, Opera Comique, and Opera Bouffe. Monsier Barraud and Studs discusses a bit of each piece. They end their time discussing the other forms of music that he writes and his work with Paris Radio.
Presenting music by the TubaSantas with Harvey Phillips and Dr. Frederick Fennell. Program may include a live performance. "Generic Version"-Re-edited on 12/6/1995
Studs interviews Harriet Choice, Jazz critic for the Chicago Tribune. They reflect on the music, talent and career of Duke Ellington. Choice describes several Ellington songs and the history behind them. She shares how Duke created music and wrote specifically for individual people. Studs reads what Ellington wrote about his song “Harlem Airshaft.” Choice and Terkel reflect on Ellington’s music and those who made music with him. Choice shares how a Duke Ellington performance at the Newport Jazz Festival rejuvenated Ellington’s career.
Studs rebroadcasts an interview he did five years ago with George Flynn, composer and head of the music department at DePaul University. Flynn explains the creative part of his music and how worldly events such as the Vietnam War help him and other musicians like him, write their avant-garde music. Flynn defines some of his compositions that include: "Wound," "American Rest," and "Canal." He shares the people and events in his life from a teenager who have influenced his work.