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Interviewing with the very "u" girl at the establishment (Part 2) while Studs was in England.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. Richard Hoggart talks about the media and the cultural explosion. Hoggart explains that facts are not knowledge.
Professor William J. Fishman explores topics from his book “The Streets of East London.” He discusses Cockney culture, poverty, labor, and history in East London.
An interview with teacher and lecturer, Juliet Mitchell, who is a Marxist. She shares her support for the women's movement and talks about issues that affect women especially gender inequality. Juliet also refers to some comparisons between British and American women's movement.
Both of the recipients are educators from Belfast, Northern Ireland. Heaney is a Catholic and Richardson is a Protestant.
Drama historians and professors Dr. Emmett L. Avery of University of Washington and Dr. Arthur H. Scouten of University of Pennsylvania discuss the Restoration Comedy period of theater in England. The two served as editors of a twelve-volume collection that documents this period of theater in England. In this interview, the two discuss the cultural standards of the time, including how this period was when women were first allowed to be actors in productions. Studs plays "Concerto grosso in C Major, HWV 318 "Alexander's Feast": I. Allegro" - Philomusica of London (1960).