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Part 1 of this program begins with Studs Terkel reading an excerpt from the book "Giants of Jazz" , which describes Dizzy Gillespie's early life. Gillespie discusses the following: the state of jazz; his fellow musicians; jazz contributors; jazz fundamentals; and his tours abroad. Gillespie's "Groovin' High" is played towards the end of this part of the program.
Discussing the techniques, philosophy, histories, and instruments of classical Indian music with Ravi Shankar. Includes Ravi Shankar playing the sitar, tambura, and tabla among other instruments.
Joel Sachs discusses Russian avant-garde music and Soviet Union artists.
Studs Terkel has a conversation with Easley Blackwood, and Ralph Shapey, composers and Paul Fromm philanthropist and patron of the music arts. They discuss contemporary music, composing music, composers and the passion of creating music.
Cole Porter biographer Robert Kimball talks with Studs about his book "Cole" and his subject's life and work as they listen to classic performances of some of his most beloved songs. They marvel at how Porter perfectly captured the zeitgeist of the times in his lyrics, his lyrical influences, his unique method of outside-in composing lyrics and music simultaneously, Bobby Short's masterful interpretations, controversies over some of his works, and how well his material holds up.
Studs interviews David Diamond who is in Chicago for a concert at Thorn Hall. Diamond reflects on his family background and his exposure to diverse theater and movies of a variety of cultures that influenced his music. He explains his training and how he uses emotion and then structure to create his work. Studs and David discuss McCarthyism and its affect on performers and the personal affect it had in Diamond's life. The musical pieces are removed from this edited version of the original recording.
David Amram and Steve Goodman, composers and performers of popular music and folk music, discuss writing and creating music together.
Studs interview with Danny Newman, Public Relations Council for the Lyric Opera Company. Newman shares his theatrical opera introductions and discusses a variety of performers and operas for the Lyric Opera Company season.
A self-proclaimed underground artist, Ferron, says she may not sell tons of records but she does have a good following of fans. Ferron says people like her music because they're seeking balance in their lives. She further explains that a lot of her lyrics have to do with understanding our purpose in life.
Richard Peaslee discusses his work as a composer in the film "Marat/Sade" directed by Peter Brook and based off Richard Weiss' 1964 play.
Oliver Knussen discusses his adaptation of "Where the Wild Things Are", which was beginning production at the Chicago Opera Theater, Chicago.
Cathy Berberian reflects on the evolution of her avant-garde singing style and her work with various contemporary music composers. Includes an interview with John Cage. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Bill Russo talks about the commedia dell'arte production being staged at the Center for New Music at Columbia College Chicago. The production includes two pieces, "Pedrolino's Revenge" and "Isabella's Fortune".
Studs interviews Barbara Cook about her work in musical theater from Broadway to opera. Cook speaks about the composers and writers she has worked with. She explains some of her songs such as “Ice Cream” and “Grass Harp” and describes her first Carnegie concert. Studs quotes Leonard Bernstein, who speaks to Cook’s talent. Cook describes how she went from Broadway to opera and shares how she chooses the songs that she performs. She discusses the art of her talent. The musical pieces are removed from this edited version of the original recording.
German director August Everding discusses his career from theater to opera and shares themes from his current opera productions.