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Interviewing Yves Montand in Paris : Studs Terkel in France (part 1).
Studs Terkel reintroduces this 1958 broadcast with Jacques Tati in a 1992 rebroadcast. At 39:06, Terkel includes a musical epilogue to the conversation with Jacques Tati with French children's songs such as "Cadet Rousselle". Tati discusses his films "Mr. Hulot's Holiday" and" Mon Oncle" and his emphasis as writer, director, actor, and producer to maintain a naturalness. He doesn't want lights, cameras or action to influence the actors. Naturalness will respect independence and keeping it simple and real will create pride and invite people in.
Studs speaks to actress Peggy Nelson, playwright Arnaud d'Usseau, and student Olivier Bernier while he is in France. [Part 2 includes Yves Montand.]
French actor and mime Marcel Marceau discusses the art of pantomime and many of his performances including "The Overcoat" by Gogol and "The Mask Maker". Marceau also discusses the history of pantomime, his inspirations, and how he came to be a mime.
Marcel Marceau, world renown mime, talks about when he performed in prisons in France, Germany, and Chicago, including death row inmates who he could not see. He also discusses moments where he met famous silent actors such as Charlie Chaplin, Harpo Marx, and Stan Laurel. They then discuss childhood and aging. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Marcel Marceau, world renown mine, discusses the art and history of pantomime. Marceau talks about mime throughout history from Ancient Rome to the 20th century. He discusses some well-known mimes such as Pierrot and Charlie Chaplin. From aging, to humor and tragedy, and different cultures, Marceau explores about how the art of mime affects and reflects society. They also discuss how Marceau created and plays Bip and how the audience interacts with his character.
When asked, Jen Kruuse said he wrote his book, “A War for an Afternoon,” as a result of life being madness. As a morale booster, to make the men of the SS army feel invincible, they were ordered to exterminate the town of Oradour-sur-Glane, France. The women and children of the town were rounded up, placed in the town’s church and the church was burned. All the men of the town were shot dead. The entire incident, explained Kruuse, was madness, pure madness.
French actor and director Jean Vilar discusses French Theater and the Théâtre National Populaire.