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Werner Burkhardt, German music journalist, critic, and translator, discusses his life and work with Studs. Mr Burkhardt speaks about his life during the time of Adolph Hitler, the Hitler Youth, and World War II. They end the interview talking about Jazz in Munich, a recording of "My Man" by Billie Holiday closes the interview.
Discussing Ruth St. Denis with her biographer Walter Terry, author of "Miss Ruth : the 'more living life' of Ruth St. Denis."
Studs and Jules Feiffer read several of Feiffer’s political cartoons culminating in a performance of “Feiffer’s America.” The performance is preceded by Feiffer’s explanation of the inspiration behind these works. Feiffer attempts to answer what drives him to create these astute observations of political happenings, which are often used as an outlet for his anger regarding social and political events. Studs plays "On the Good Ship Lollipop" - Shirley Temple (1934).
Friedrich Luft, Chief Drama Critic for Die Welt discusses German theater and Bertolt Brecht as well as new playwrights such as Peter Weiss. Unlike American theaters, Germany has over 200 theaters that are subsidized and each town of 50,000 has a theater. Just like the days of The People's Stage (which still exists) the grocer and cobbler of Germany enjoy the theater. They are as devoted to the theater as going to a museum or church. They are treated to 12 to 16 new or old plays from Sophocles to Sartre or Pinter.
Terkel delves into the life of Frank Norman, a London ex-con who turned his life around and became a novelist and playwright by writing on his experiences. He wrote "Bang to Rights" shortly after his prison release which brought him great fame. He followed that with "The Monkey Pulled it's Hair" that had a U.S. release under the name "Don't Darling Me Darling". Norman opened up to Terkel discussing his illegitimacy, his illiteracy till age 14, his institutionalization in an orphanage which he turned into the novel "Banana Boy".
Ralph Ellison, winner of the National Book Award for Fiction for his book "Invisible Man," discusses his early life and education and his life as a writer and lifetime scholar. He speaks on being a musician (trumpet), the joy of music and the Church and how they fit into the lives of African Americans.
Discussing the book "Doing Battle: The Making of a Skeptic" (published by Little Brown) with author Paul Fussell.
Journalist Nicholas Von Hoffman shares his critical thoughts about universities and colleges. Students are told what to read for class and students are taught how to pass exams, says Von Hoffman. Testing and exams don't work, contends Von Hoffman. Students must be allowed to read more about a subject on their own as opposed to what's solely offered by the curriculum's books.
Neil Postman, an author, educator, media theorist and cultural critic discusses his book; "The School Book: For People Who Want to Know What All the Hollering Is About,". Mr Postman and Studs talk about his definition of what school is for and it's worth, and they converse about several sections of the book. Mr. Postman reads an excerpt from his book to begin the interview.
In schools, reading, writing and speech are all on the decline because there are too many visual images from the TV, according to Neil Postman’s book, “Teaching as a Conserving Activity”. Postman criticized “Sesame Street” for its instantaneity. There are no short cuts in teaching, said Postman. He believed the worst thing a teacher could do was to make teaching entertaining for their students.
Jules Feiffer and Studs read several of Feiffer's previous cartoons as they discuss his history as a cartoonist and his retrospective on display at the Walton Street Gallery in Chicago. Feiffer discusses his attempt to move away from political cartoons and instead shift focus to social commentary. Feiffer also discusses his play "Elliot Loves", a love story that captures the complications of love and the “gap” between the sexes.
Jules Feiffer discusses his book “Jules Feiffer’s America: From Eisenhower to Reagan”, a retrospective that chronicles his years as a social and political cartoonist. Studs and Feiffer read through several of Feiffer’s cartoons featured in this book, working their way through the book in “eras” which are categorized based on the U.S. President of that particular time frame. Studs plays “Sh-Boom” - The Crew Cuts (1954), “Big Bad John” - Jimmy Dean (1961). “Yellow Submarine” - The Beatles (1966), and “Happy Days Are Here Again” - Casa Loma Orchestra.
Jules Feiffer discusses and reads from his children's graphic novel, "The Man in the Ceiling." The book has a central theme of overcoming failure and is slightly autobiographical in nature, with a comic book artist as its main character and author. Studs plays "Golliwog's Cakewalk" - Claude Debussy (1906-1908).
Terkel interviews author Jonathan Yardley on his latest book. This book titled "Ring" is a biography of the sports writer columnist Ring Lardner.
"Waves at Genji's Door: Japan Through Its Cinema," includes Joan Mellen's study of Japanese film, Japanese history and Japanese culture. Some of Mellen's topics include Akira Kurosawa's films, Samurais and the ritual suicide of Seppuku.