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Shel Silverstein discusses his books and children's literature, and art. Shel Silverstein discusses his contemporaries, art, and life experiences.
Benny Goodman was one of 12 children and when he was little, his father took him to a synagogue where he learned to play the clarinet. Ross Firestone's book, "Swing, Swing, Swing: The Life and Times of Benny Goodman" is full of information about the musician. Goodman was a perfectionist, always wanting to better at his craft. According to Firestone, as a band leader, Goodman never thanked any musicians that played for him or with him.
Studs interview with Ron Modell, Associate Professor of Trumpet and Director of the Jazz program at Northwestern University, Chicago. Modell talks about his students and their work in the band. He names some of his students and speaks of their individual work. He highlights their performances, awards, and future careers of those in the band. The musical numbers are removed from this edited version of the original recording.
Renee Fleming discusses her musical upbringing, her repertoire, her relationship to performance, and more.
Red Saunders discusses jazz music and jazz musicians.
Red Norvo remembers recording some of his albums with other performers like Mildred Bailey, Dizzy Gillespie, and Benny Goodman, as well as the revival of jazz music. Recordings are played of the following: "Lover Come Back to Me" by the Red Norvo Combo, "The Weekend of a Private Secretary" sung by Mildred Bailey, "Congo Blues" by Red Norvo And His Selected Sextet, "After You've Gone" by Red Norvo feat. Benny Goodman Sextet, "Rhee! Oh! Rhee" by Red Norvo, "The Night is Blue" by Red Norvo, and "Everything I've Got Belongs to You" by Red Norvo. Songs have been removed due to copyright.
Starting at a young age, Ramsey Lewis really loved music and as he got older, he'd practice five or six hours a day. Lewis says he knew nothing about jazz until he met Wallace Burton at the age of 15. Burton hired Lewis on the spot to play in his band. Church music, Spanish music, Duke Ellington and the Beatles, says Lewis, were all great influences to him.
Music performance by Oscar Brown, Jr.
Polly Podewell and Johnnie McDonough evaluate jazz vocalists, musical influences, and compare music genres. Jazz music performances of Polly Podewell (from private tape) are interspersed throughout the interview as well as recordings from Mildred Bailey, Helen Ward, and Billie Holiday. Songs are removed on this file due to copyright reasons.
Jazz pianist Oscar Peterson sits down with Studs Terkel to discuss historical developments in jazz piano, his own personal development as a pianist, and his experience directing a youth jazz piano school. Includes Peterson playing short excerpts from "Chicago (that toddlin' town)," "Soon," Chopin's Nocturne in E flat Major to demonstrate musical concepts.
Max Morath discusses his career, jazz music, and history.
Studs Terkel interviews Mary Lou Williams and her manager, Father Peter O'Brien. They discuss music, musicians, and instruments. Some clips of piano music playing at the end.
Studs interviews Mary Collins about her husband, Lee Collins. They discuss the book that she and Lee wrote together until his death in 1960. Mary shares interesting stories of Lee’s experiences when he toured. She and Studs reflect on the other artists that Lee Collins worked with and those that influenced his music. Mary shares the story of how she and Lee reconnected in Chicago. She explains how Lee’s depression because of his health led to his attempted suicide and the horrible way he was treated at the psychiatric hospital.
Studs interviews Marian McPartland, who is in Chicago to perform at Rick's Cafe and the Chicago Public Library. They discuss her various performances and recorded albums. McPartland shares techniques of playing Jazz with a piano. She discusses people and events that influenced her music. The musical numbers are removed from this edited version of the original recording.