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Art historian Roxana Robinson discusses and reads from her book “Georgia O'Keeffe: A Life.” Robinson discusses the different eras of painting O’Keeffe went through during her lifetime and the outside forces that inspired these changes in subject matter, such as her attending the Art Students League of New York, her moving to Santa Fe, and her relationship with Alfred Stieglitz. Studs plays “Tosca, Act II: Vissi d’arte, vissi d’amore” - Renata Tebaldi, George London, Francesco Molinari-Pradelli (1959).
Robert del Tredici photographer, artist, and author discusses the history of nuclear weapon production plants around the United States and the effects of nuclear radiation.
Richard Florsheim discusses the relationship between artists and museums, the role of art institutions, and the commodification of contemporary art.
Richard Demarco discusses the importance of riding the art experience of snobbery and the importance of art as relevant to everyone. In addition, Richard speaks on the work of Jimmy Boyle, convicted criminal turned successful artist. Demarco prompts the question: "Is art the language that transcends philosophy?"
Ray Patlaw and Mark Rogovin discuss mural art and the community engagement surrounding this artform. This program includes an audio clip of passers by commenting on the 1967 unveiling of Pablo Picasso’s Chicago sculpture and what they think it represents and the conversations it is meant to evoke. Studs reads Pete Seeger's introduction from Mark Rogovin, Marie Burton, and Holly Highfill’s book “Mural manual: How to paint murals for the classroom, community center, and street corner.”
Misch Kohn (from the state of Indiana, son of Russian immigrants) talks about his upcoming exhibition that traveled all around the country in which artwork such as "Season in hell", "My Grandfather's Mustache", "General", "Three Generals" among others. Talks about his creative process and what is the outlook of the state of visual arts.
According to Ramona Lampell, Appalachia is often associated with hillbilles and poor people. The Lampells wanted to change that stereotype with their book, "O, Appalachia: Artists of the Southern Mountains". By showing off the work of 20 artists', the Lampells hope the people of Appalachia feel good about themselves and where they come from.
In Mary Lynn Kotz's book, "Rauschenberg, Art and Life," Kotz recounts the works and story of 20th century art pioneer Robert Rauschenberg. They survey his career beginning in Port Arthur, TX, discussing his Depression-era upbringing which caused him to reuse and salvage virtually any object and transform it into art, his studies in Paris, made possible by the G.I.
Marcel Marceau, a French mime, discusses the art behind mime including silence, humanity, and astonishment. Parts of an earlier interview with Marceau are also played.
During a visit to London, Studs interviews a 73 year old cab driver in London, who has 50 years on the job. They discuss traffic jams, the elderly and the young, poverty, welfare, and society. Studs also interviews a number of people attending the Tate Gallery's Lichtenstein Exhibition.
Golub discusses his work "Man" and talks about his process as an artist.
Golub discusses his work "Man" and talks about his process as an artist.
Leon Golub talks about his current art projects and the power of the largeness of a canvas and its representations can have in the art experience.
Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. In his book, "Feiffer on Nixon: The Cartoon Presidency," Jules Feiffer tries to give his readers his take on politics and the government. In addition, through his descriptions of the cartoon panels, Feiffer offers his explanations of who President Nixon was.