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Showing 1 - 14 of 14 results
Presenting music and discussing the tuba with tubists Arnold Jacobs, Harvey Phillips, Fritz Kaenzig, and Richard Frazier. This mixdown includes recorded and live music in the last three minutes.
Peter Schickele, the man behind the pseudonymous musical persona P.D.Q. Bach, gives a lecture on the oft-forgotten composer and sibling of Johann Sebastian Bach, playing and discussing a number of works by the fictitious composer.
Now retired from singing opera, when Madame Lotte Lehmann is not traveling around Europe, she teaches, what she says, are the best students she has encountered, at Northwestern University. Lehmann explains her hope is to not only teach but to inspire singers to be larger than life and to bring out their own personalities in a song.
Jennie Tourel discusses her career with some comments by her accompanist Simon Sargon.
Studs Terkel interviews Rachel Barton, Wendy Warner and Peggy Wise during the preparation for a benefit concert at the James R. Thompson Center. The benefit concert will be held on March 22, 1997.
This is a re-broadcast of an interview that Studs Terkel had with pianist Paul Ulanowsky. Paul discusses a historical recital that he performed some years before.
Dr. Guy Duckworth and his students sing and play, "America." Duckworth talks about the importance of knowing how to learn to play the piano. The 11-year-old students first play a plain or harmonic version of "America', followed by other versions with more chords that add variety to "America."
Musician, pianist, and educator Guy Duckworth and three of his young students at Northwestern--Darrah Cloud, David Greenberg, and Scott MacMillan--discuss teaching and learning piano. Part 1 of 2.
According to Elisabeth Schwarzkopf, at a young age, she first started to play the piano and viola before she studied singing. Madame Schwarzkopf explained the importance of being able to play different roles. With regards to luck, Schwarzkopf says it happens only once, when one finds the right teacher. All the rest, explains Schwarzkopf is hard work.
Studs Terkel talks with Elisabeth about her career in opera. She discusses her thoughts of her overall career.
Studs Terkel discusses with Elizabeth her her role as The Marschallin in Der Rosenkavalier. This interview is done in three parts.
Studs and Mr. Blackwood discuss his musical theory of tonal composition, and Mr. Blackwood plays several excerpts of his piece "Chamber Work for Fourteen Winds" on the piano.
In this round table discussion the three gentlemen - all composers, musicians, and educators - discuss with Studs contemporary music and the standards for defining a composition in music. In the second hour they discuss what level of knowledge of music a critic should have in order to form a proper opinion of music. All animatedly offer their opinion to both the pro and the con. A movement of both Blackwood and Shapey compositions is played.