In the first part of this program Studs Terkel discusses French theater with critic Jean Vilar. In the second part, Studs and Eugène Ionesco discuss Ionesco’s work and the Theater of the Absurd.

Radio and TV personality Jean Shepherd says there is no good or evil. He said the world is not going to change its ways based on a book or a play. Shepherd believed there's no right or wrong on issues because everyone just wants peace.

Storyteller, humorist, and radio personality Jean Shepherd joins Studs for a wide-ranging discussion of his career up that point.*Please note: some sections have been edited out from the original recording due to copyright considerations

Storyteller, humorist, and radio personality Jean Shepherd joins Studs for a wide-ranging discussion of his career up that point.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Jean Shepherd discusses his book "In God We Trust: All Others Pay Cash." Includes earlier clips of Shepherd speaking and excerpts of him reading from the book.*Please note: some sections have been edited out from the original recording due to copyright considerations

Storyteller, humorist, radio personality, and author Jean Shepherd discusses his book, A Fistful of Fig Newtons. Shepherd considers how his various career paths, particularly that of a radio personality, have affected his writing.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Jean Ritchie discusses her life, music, experiences, and career. She also discusses folk music. Includes songs performed by Jean Ritchie including "Shady Grove", "None But One", "Sweet Sound in the Wind", "Riddle Song" (sung with Oscar Brand), "See That Rainbow Shine", "Black Waters" (sung with Janis Ian), "Now is the Love of the Day", "Little Lonesome Dove", "Barbry Allen", "Brightest and Best", and "Now Is The Cool of the Day".

*Please note: some sections have been edited out from the original recording due to copyright considerations 

*Please note: some sections have been edited out from the original recording due to copyright considerations 

The folk singer talks about her career and provides some examples of the folk music traditions of her native Scotland.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Joan Komaiko saw there were kids who could buy cartons of milk for four cents and the other kids who couldn't afford the milk, sat and watched the ones who drank the milk. Komaiko wrote a letter to the school board pointing out how kids couldn't do well at school because they were sent to school hungry. Dr. Quentin Young explained that the government needs to provide the children with breakfast and lunch at the schools because those two meals were probably the only meals children would receive that day.

Jean Gascon, the artistic director of the Stratford Theater in Ontario, Canada, speaks with Studs Terkel about his production of “The Alchemist.” His interpretation of playwright Ben Jonson’s work opened in Chicago at the Studebaker Theater, alongside “Hamlet” directed by John Hirsch. Gascon talks a bit on his career in theater and the cultural influences on his directing style. Gascon admires Jonson’s work and social commentary, and feels themes of “The Alchemist” are relevant to current issues in society.

Australia journalist Jean Davies discusses life and culture in Australia, part 2. Davies reads Studs Terkel's palm during the interview.

Australian journalist Jean Davies discusses life and culture in Australia.

When asked how he found time to write his book, Jean Cau said he took vacation time from his full time job. Cau was also asked if he wrote his book using a typewriter and Cau explained that he did all his writing with his own penmanship because he hated machinery, like the typewriter. In conclusion, Cau said he was writing a play about the Algerian War and its paratroopers. The play he finished writing was about the life and death of Adolf HiItler.