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Studs Terkel speaks with Charles Mingus about his life and work in the context of his autobiography "Beneath The Underdog".
Peter Schickele, the man behind the pseudonymous musical persona P.D.Q. Bach, gives a lecture on the oft-forgotten composer and sibling of Johann Sebastian Bach, playing and discussing a number of works by the fictitious composer.
When he was a child, Dudley Moore first wanted to study the violin. He's grateful to his mother for insisting that he first study the piano. Moore said his influences include Bach and Garner. Unlike other musicians, Moore's main focus has always been on the beat, both the cultivation and the presence of the beat of a song and of music.
Joan Baez speaks with Studs Terkel about role of music and the responsibility of musicians in the specific historical moment of the late '60's.
On location at Musee Bourdelle in Paris, France, Ms Bourdelle discusses the life and art of her late husband Antoine Bourdelle.
Renee Fleming discusses her musical upbringing, her repertoire, her relationship to performance, and more.
Terkel comments and presents a musical performance by Wynton Marsalis
Studs Terkel interviews Chicago choreographers Lou Conte, Shirley Mordine, and Nana Solbrig.
Cesar Chavez discusses the United Farm Workers effort to gain rights for farm laborers and his childhood that led him to become a labor rights activist.
Chicago Tribune jazz critic Harriet Choice plays and discusses some favorite records from her own personal collection with Studs Terkel.