Studs interviews Christopher Durang, playwright, about his plays. "A History of the American Film" is the highlight of the interview, which is playing at the Heron Theater in Chicago. Durang describes parts of the play and it's characters. He explains that it portrays the different eras and famous moments of movies and references real actors and actresses. Durang reads several times from the play, but all musical numbers are removed from this edited version of the original recording.

Fred W. Friendly discusses his book "Due to Circumstances Beyond Our Control" and his career. Fred W. Friendly discusses television and mass media. (Part 1 of 2)

Studs interviews George Esteves, the director of the Chicago Chamber Choir. They discuss the musical numbers that the choir will perform in their Mother's Day concert. Dexter Bailey will accompany. Esteves reads the lyrics in Italian of "Ecco Mormorar L'Onde" a Torquato Tasso poem, and Studs reads it in English. Esteves also reads some lyrics of the "Contate Irene Kiesewetter" by Schubert Franz. Esteves shares how members of the choir are recruited. Esteves names all the soloist members of the choir.

Terkel presents an Easter program. Songs include "Lord of the Dance/Simple Gifts" sung by Bill Crofut and Benjamin Luxon; "Plenty Good Room" sung by Roland Hayes; "Vidé" a carnival song of Martinique; "Wondrous Love" sung by Ed McCurdy; "The Cuckoo" sung by Burr Tillstrom as Kukla; "The Cuckoo's Nest" sung by Jimmy MacBeath; "The Cuckoo" sung by Jean Ritchie; "Gloria," Malaga Flemenco song; "Old Blind Barnabus" sung by Golden Gate Quartet; and Bach's "St.

Sir Geraint Evans discusses his career in opera. He also discusses his life in Wales and the Welsh language.

Sir Geraint Evans discusses opera and his time as a performer. Includes an in-depth discussion of the opera Peter Grimes.

Studs interviews Flemming Flindt, director, choreographer, and dancer of Royal Danish Ballet, in Denmark during a practice session. They discuss the "Miraculous Mandarin" ballet and the history behind it. Studs asks about the history of ballet in Denmark and the history of the Royal Danish Ballet. Flindt describes the choreography and scores of the ballet. They discuss how technology has changed the production and audiences of ballet.

Studs interviews Lukas Foss about his career as a classical composer and conductor. Foss talks about his work with the Milwaukee Symphony Orchestra. He reflects on how teachers influenced his career and how he learns from each orchestra that he works with. He shares his love for poetry and explains how he makes music from poems and uses "Thirteen Ways of Looking at a Blackbird," a poem by Wallace Stevens, to illustrate. They discuss how Foss composes and how it is very similar to the way Jazz is composed with improvisation.

Studs rebroadcasts an interview he did five years ago with George Flynn, composer and head of the music department at DePaul University. Flynn explains the creative part of his music and how worldly events such as the Vietnam War help him and other musicians like him, write their avant-garde music. Flynn defines some of his compositions that include: "Wound," "American Rest," and "Canal." He shares the people and events in his life from a teenager who have influenced his work.

E.R. Braithwaite, Guyanese-born British-American novelist, writer, teacher and diplomat discusses his writing and career. The interview opens with Mr. Braithwaite, reading from his book "Reluctant neighbors".