When asked what the play meant to her, cast member Carmen Pelton, said the play was a presentation of Susan B. Anthony and her struggles. Alan Stone explained why he felt chills when Anthony spoke of her troubles. "Mother of Us All," explained director Frank Galati was a look at the good fight Susan B. Anthony pursued toward women's suffrage.
Director Frank Galati explains that the play "She Always Said, Pablo," was about Gertrude Stein's relationship with Pablo Picasso. Referring to the play itself, Galati also said that he tried to marry their narrative writings with some operatic song.
Novelist Stanley Elkin has come into town to see Frank Galati's adaptation of Elkin's book, "The Dick Gibson Show." The book has a lot to do with how radio has become a talk show. Various cast members re-enact scenes from "The Dick Gibson Show."
Frank Galati talks about the production of, "Postcard From Morocco." The stories are told through the seven people stranded at the train station. Galati notes that the luggage the people have with them also represent people's baggage through out their lives.
Frank Galati and some cast members of "Cry, the Beloved Country," talk about the play. Fathers, sons, relationships, faith and redemption are all areas covered in the play. Galati explains how the story of the play itself draws the audience inward and gets them mesmerized.
Discussing the film "Silkwood" a movie about Karen Silkwood and the circumstances surrounding her death with movie producer Buzz Hirsch.
Isaac Bashevis Singer explains whenever he writes, he writes about life. He said that his book, "Shosha", is kind of a memoir or an autobiography. IB Singer admits that he never marries his Shosha. A theme of the novel, if there is a God, how come there's so much sadness and disappointment around in life?
Willard Van Dyke, cinematographer and co-director of documentaries like "The City" and "The River," talks about 20th century American history and how it effected the arts. Using his documentaries and other artists' work, he explores how the Great Depression, World War II, and the Cold War changed American art and culture. He discusses Public Works of Art, war propaganda, and McCarthyism and their challenges for artists. Near the end of this interview, Van Dyke discusses the changes in modern still photography and documentaries as Americans forget history.