Marcel Marceau, world renown mime, talks about when he performed in prisons in France, Germany, and Chicago, including death row inmates who he could not see. He also discusses moments where he met famous silent actors such as Charlie Chaplin, Harpo Marx, and Stan Laurel. They then discuss childhood and aging. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.

Stage director Alan Schneider talks about his work with playwrights, Samuel Beckett and Edward Albee. Plays include "Waiting for Godot," "A Delicate Balance," and "Whose Afraid of Virginia Woolf?"

Every play is political and art isn’t easy, according to Edward Albee. People need to realize that going to the theatre is an arena of engagement rather than one of escapism, says Albee. Due to people’s lack of knowledge and self-awareness, we in society, we deserve everything bad that we get, are also part of Albee’s views.

Marcel Marceau, a French mime, discusses the art behind mime including silence, humanity, and astonishment. Parts of an earlier interview with Marceau are also played.

The Russian-born actress Eugenie Leontovich talks about how she researched books in order to prepare for the role of Anastasia. Madame Leontovich also talks about using the Stanislavski Method when teaching her students about acting and performing. Today's theatre arts in America are very strong, Leontovich commented.

In conclusion, Joan Littlewood talks about the 21 acres of land that she owns by the banks of the river near London. Littlewood says people who live on the countryside and enjoy the outdoors are theatre lovers. When asked if she herself was crazy, Littlewood answered, "But aren't we all?"

Studs joins Mildred Dunnock, Alvin Epstein, and Hiram "Chub" Sherman to discuss their stage production of A Place Without Doors, at the Goodman Theatre. Program includes some dramatic readings from the cast.*Please note: some sections have been edited out from the original recording due to copyright considerations