*Please note: some sections have been edited out from the original recording due to copyright considerations 

The British director of stage and television plays joins Studs to preview his 1964 summer lineup of productions at Ravinia, to coincide with Shakespeare's 400th birthday celebrations.*Please note: some sections have been edited out from the original recording due to copyright considerations 

*Please note: some sections have been edited out from the original recording due to copyright considerations 

*Please note: some sections have been edited out from the original recording due to copyright considerations 

According to Sir Cedric Hardwicke, plays are only fashionable in New York City even though people all around the country are hungry to see a good play. In England around Christmas time, Hardwicke says children are exposed to plays at an early age, unlike here in the states, where there aren't any plays geared toward children.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Drama historians and professors Dr. Emmett L. Avery of University of Washington and Dr. Arthur H. Scouten of University of Pennsylvania discuss the Restoration Comedy period of theater in England. The two served as editors of a twelve-volume collection that documents this period of theater in England. In this interview, the two discuss the cultural standards of the time, including how this period was when women were first allowed to be actors in productions. Studs plays "Concerto grosso in C Major, HWV 318 "Alexander's Feast": I. Allegro" - Philomusica of London (1960).

Moses Gunn, Elizabeth Franz, and Novella Nelson, cast members of Martin Duberman's "In White America," discuss the play and its reception. Content Warning: This conversation has the presence of outdated, biased, or offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Although she came from a family with a musical background, Lila Kedrova went into acting. A friend of her father, Feodor Chaliapin, played a part in influencing Kedrova into performing. Kedrova said she's been acting since she was eight. After her role as Madame Hortense, Kedrova said she wanted to explore other types of roles.*Please note: some sections have been edited out from the original recording due to copyright considerations 

A discussion of Nancy Walker's early career as actress and comedian of stage, screen, radio, and television.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Holbrook talks about performing as Mark Twain at the Goodman Theatre, in his second visit to Chicago.*Please note: some sections have been edited out from the original recording due to copyright considerations