Playwright Tennessee Williams discusses his play "The Night of the Iguana," which was currently playing at the Blackstone Theatre in Chicago. The conversation takes place in Mr. Williams' room at the Blackstone Hotel.

English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.

Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.

Jane Stedman discusses the lives of W.S. Gilbert and Arthur Sullivan and the works they created jointly as Gilbert and Sullivan with emphasis on their comic opera "Utopia, Limited."

Discussing Bertolt Brecht's "A man's a man."

Renowned soprano, Madame Rosa Raisa discusses her career, early training, Chicago debuts, travels, teaching, and hobbies post opera.

Richard Peaslee discusses his work as a composer in the film "Marat/Sade" directed by Peter Brook and based off Richard Weiss' 1964 play.

Harold Prince discusses his direction of Madame Butterfly while also discussing operas, musicals, and theater in general.

Russian composer Alexander Tcherepnin discusses his early upbringing, training, and composing in Saint Petersburg, as well as the influence of his composer father, Benois family relatives, and associates of Ballet russes.