Studs sits down with American animator and experimental filmmaker Stan Vanderbeek.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Through an interpreter, Madame Ida Kaminska discusses her role in the film "The Shop on Main Street." Both her mother and father were actors, too. Madame Kaminska explains she comes from a family of actors from 100 years ago.

Please note: some sections have been edited out from the original recording due to copyright considerations

Garson Kanin discusses his book "Hollywood: Stars and Starlets, Tycoons, Moviemakers, Frauds, Hopefuls, Great Lovers", published in 1967.

Garson Kanin and Ruth Gordon discuss acting and how they got into the profession.

Silent film pioneer Buster Keaton discusses his career following the release of "When Comedy Was King," a compilation of some classic shorts by Keaton, Charlie Chaplin, Harold Lloyd, and others. Keaton reveals how they shot the early silent films, generated material and gags, how they planned big chase scenes, the resurging European interest in silent classics, and more. Studs asks Keaton about the stylistic differences between him and Chaplin, whether he would recreate silent films, and how they compare to today's film-making.

Studs interviews educator Jaime Escalante about his successful work as a mathematics teacher at Garfield High School in East Los Angeles, which is represented in the film “Stand and Deliver.” Includes an interview with Edward James Olmos.

The influence of the WPA on the music of the 1930's. The heroic sounds heard in song, movies, and theater. He provides Bing Crosby's version of Yip Harburg's "Brother Can You Spare a Dime". As well as the Almanac Singers performing "Roll the Union On". Both Moll's Song and the final scene of Blitzstein's, "The Cradle Will Rock" are performed. Terkel provides a host of other songs which highlight the music of the 1930's. Extensive discussion on "The Cradle Will Rock" with its producer John Houseman.

Interviewing actress Ellen Burstyn.

Interviewing producer, director and screenwriter Jean Bach about her Oscar-nominated documentary "A Great Day in Harlem".