Erica Jong discusses the paperback release of "Fear of Flying," reading excerpts as well as several of her poems from her previous collections, "Half-Lives," and "Fruits and Vegetables."

Part 1 of celebrated fim critic Pauline Kael discussing her book "Kiss Kiss Bang Bang" as well as business versus creativity, struggles of young filmmakers, humiliations of older actors competing for limited roles, and limiting movies to fit on television screens.

Part 2 of celebrated fim critic Pauline Kael discussing her book "Kiss Kiss Bang Bang" as well as Laurence Olivier, Sidney Poitier, safe roles, older actors, distortion of women's contributions, and Lillian Hellman's frustrations.

"Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretive History of Blacks in American Films is Donald Bogle's study of Black actors and the roles they played in movies. Bogle believed it was important for Black people to see Black heroes in movies. Bogle concluded there were too few roles available for Black actors and too many roles were of stereotypes.

"Waves at Genji's Door: Japan Through Its Cinema," includes Joan Mellen's study of Japanese film, Japanese history and Japanese culture. Some of Mellen's topics include Akira Kurosawa's films, Samurais and the ritual suicide of Seppuku.

American screenwriter, Walter Bernstein, discusses his book "Inside Out: A Memoir of the Blacklist", a memoir about his life during and following his blacklisted status due to his alleged communist views. Bernstein uses the case of John Henry Faulk versus Laurence A. Johnson to serve as an example of how the entertainment industry was being diminished during this time.

Interviewing writer and director Peter Bogdanovich about his film “The Last Picture Show.” The second part of the program, “A panel of producers and directors discusses education in film,” will begin at 44:45.

A panel of producers and directors, Father Paul Carrico, Mike Whitney, Ron Sutton, Dick Lukenson, and Leo Dratfield discuss film theory and education on film in the classroom.

Being discovered by Charlie Chaplin, Claire Bloom always felt like the luckiest actress around. Bloom's favorite roles were Nora in a "Doll's House" and Hedda in "Hedda Gabler". Mary Tyrone of "Long Day's Journey Into Night" is a part Bloom would like to play in the future.