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While riding in a cab, the driver talks about the narrow streets of London. He also talks about the traffic and why he believes traffic will only get worse in the future. Producer and director Karel Reisz explains how making films in England and America differ from how films are made Italy. Reisz also talks about the freedom of a director when making a film. With regards to viewership, according to Reisz, films are in 2nd place behind TV.
Discussing the book "The celluloid closet: homosexuality in the movies" with the author Vito Russo.
Nora Sayre discusses her book "Running time: Films of the Cold War" and how Russian-American relations affected Hollywood and celebrity blacklists.
End of interview with Pier Luigi Nervi and Joseph Nicoletti where they discuss innovation in architecture and learning from a master; second part is a separate interview with Cesare Zavattini about film inspirations and creating some of his most well known works.
Bahamian actor Sidney Poitier talks with Studs Terkel about his most recent film "The Defiant Ones" and how racial type-casting for typically white roles works in Hollywood films. Besides being an actor, he is also a film director, author, and diplomat.
Photographer David Scherman talks with Studs Terkel about the stories that photos can tell, famous photographers, and the book “The Best of Life,” which Scherman edited. A recording of the song “Brother, Can You Spare a Dime?” by the Weavers is played.
Studs Terkel talks with theater producer Herman Shumlin about Shumlin’s work in theater and some of the plays he has produced. Audio clips from the play “The Little Foxes” and the opera “Regina” are played. This is the first part of the interview with Shumlin.
Studs Terkel talks with theater producer Herman Shumlin about Shumlin’s work in theater and some of the plays he has produced. This is the final part of the interview with Shumlin.
Filmmaker Jacques Tati and Studs discuss finding the humor in everyday life and people becoming their gadgets. The two also go in-depth about Tati's film "Mon Oncle" and the development of the character Monsieur Hulot.
This interview features singer and actress Carol Channing which discusses: the film "Shinbone Alley"; production of "Lorelei"; her grandmother; and her career. It begins with a musical excerpt from the animated movie "Shinbone Alley" featuring Channing singing as the alley cat Mehitabel. It also includes excerpts from the Broadway production called "Lorelei", examples of her character acting/comedy (as Cecilia Sisson), her reading of "Madeline and other Bemelmans", and a portion of the song "So Long Dearie" from the play "Hello, Dolly!".