Stuckey talks about her childhood in Memphis, writing "in the dialect", and reads "Rigamarole", "Daylight Savings Time", "Defense", "Old Man" and "Old King Cotton".

Music performance by Oscar Brown, Jr.

Poet Maya Angelou and journalist Tom Wicker discuss life in the U.S. South and how the region’s history has shaped its culture. Topics of discussion include social dynamics and race in the South, the concept of “home” and what it means to return to one’s roots, and religion in the South. Angelou reads excerpts of her poetry, including “Still I Rise” and “Phenomenal Woman,” and shares spiritual songs from her childhood.

Discussing the book "Shannon" with the author Gordon Parks.

Ralph Ellison, winner of the National Book Award for Fiction for his book "Invisible Man," discusses his early life and education and his life as a writer and lifetime scholar. He speaks on being a musician (trumpet), the joy of music and the Church and how they fit into the lives of African Americans.

Author and poet Gloria Wade-Gayles discusses and reads from her book “Pushed Back to Strength: A Black Woman’s Journey Home,” a collection of essays about race, faith, and family. She discusses how the title of the book was inspired by a phrase her grandmother used to say in which she acknowledges how segregation was pushing her back to her family, to community; pushing her back to strength, stories, ritual, and safety. Studs plays “God Bless the Child” - Billie Holiday (1956), "Wade In The Water" - Brother John Sellers (1960), and "Medley of Spiritual" - Belleville A Cappella Choir.

The poet and UIC professor speaks about his upbringing in Mississippi and how he came to be a part of a new wave of Chicago poets.*Please note: some sections have been edited out from the original recording due to copyright considerations

Ntozake Shange discusses her play, "for colored girls who have considered suicide / when the rainbow is enuf." She goes on to discuss her advocacy for more Black authors and poets, especially in experimental artistic endeavors.*Please note: some sections have been edited out from the original recording due to copyright considerations