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Ned Rorem discusses the differences between writing books and writing compositions, his book "The Paris Diary of Ned Rorem", and how he uses poetry in his compositions.
Shel Silverstein discusses his books and children's literature, and art. Shel Silverstein discusses his contemporaries, art, and life experiences.
Discussing the book "Manchild in the Promised Land" with Claude Brown. Brown also discusses growing up in Harlem, New York as an African American man. Includes a clip of a man speaking from the county jail. Includes a song sung by Mahalia Jackson. Includes a clip of children singing.
Studs Terkel interviews composer Ned Rorem. They discuss Rorem's childhood, music, poetry, languages, and religion.
Studs Terkel and Billy Taylor discuss the book "Jazz Piano: History and Development". They discuss jazz musicians and the history of jazz music. Includes excerpts of drums, piano, and orchestra playing in the background.
E.Y. (Yip) Harburg and Studs Terkel read from the book "At This Point in Rhyme". E.Y. Harburg also discusses his thoughts on humanity, how to properly write a song, and the importance of light verse and humor as a basis for everything he creates. Excerpts of "Somewhere Over the Rainbow" by Judy Garland, "Brother, Can You Spare a Dime" by the Weavers, and a Broadway recording of "How Are Things in Glocca Morra" are played in the original airing but have been removed from this version for copyright reasons.
Abram Loft discusses his career, his book "Violin and Keyboard", art, and music education. Includes Abram Loft reading a passage from his book "Violin and Keyboard". Includes Abram Loft reading excerpts from newspapers.
Aaron Copland discusses his music, his colleagues, contemporaries, musicians, and composers.
John Cage discusses his music, life, influences, and career. Rebroadcast of an interview with John Cage to celebrate his life and what would have been soon his 80th birthday. Includes a clip of John Cage reading/ telling a story in 1969 to Studs Terkel.
The blues and jazz are topics covered by Ralph Ellison. Ellison himself started to play the trumpet at the age of seven. Ellison said for him, when hearing classical music, he then had to go and find classical literature.