Richard McLanathan discusses his book "The American Tradition in the Arts" and takes Studs on a sprawling journey through artistic breakthroughs in architecture, painting, literature, and more while touching on dozens of artists and their works.

Artist and author Scott McCloud discusses and reads from his book “Understanding Comics: The Invisible Art.” This discussion focuses heavily on the history of comics, or sequential art, and notable figures using this artform. Studs plays "Seven Studies on Themes of Paul Klee: 4. The Twittering Machine" - Gunther Schuller (1966).

The interview begins with Wright Morris reading from a essay he had presented at a conference on Arts in Public. Wright Morris, an American novelist and essayist , discusses how society no longer participates in consuming the arts, only skimming the surface by reading a review. Mr Morris argues that the bulk of society does not embrace or learn from the past mostly due to the fact there is no knowledge and a lack of curiosity to gain that knowledge.

Curators Jonathan Wordsworth, Robert Woof, and Michael C. Jaye discuss the exhibition “William Wordsworth and the Age of English Romanticism”, an exhibition of paintings, watercolors, manuscripts, and literature inspired by Wordsworth's Romantic Poetry. Jonathan Wordsworth reads an excerpt of lines from William Wordsworth’s “Lines Composed a Few Miles Above Tintern Abbey”, "To Toussaint L'Ouverture", and "The World Is Too Much With Us." Studs reads "My Heart Leaps Up" - William Wordsworth. Studs plays "Ça Ira" - Edith Piaf (1954) and "A Man's a Man for A'That" - Ewan MacColl (1959).

Charles M. Schultz gave high praise to Robert L. Short's book, "Parables of Peanuts". Long explained Schulz's comic strips and his thoughts of cruelty among children. Short further explained that Schulz's comic strips turns the readers back to themselves and gives the readers the opportunities to see their own lives as they really are.

Author and journalist Tom Wolfe discusses his new book, "In Our Time," which focuses on the ever-changing culture and ethics of America. Drawing examples from his cartoons he discusses how the counterculture of the 1960s, TV evangelists, politicians, and actors are challenging mores and values of the American people.