Muriel Gardiner's background and her time spent in Austria are the topics of "Code Name 'Mary': Memoirs of an American Woman in the Austrian Underground". With her book, "The Deadly Innocents: Portraits of Children Who Kill," Gardiner studies the lives of 10 kids who kill or attempt to kill.

Frederick Ritter, professor, preforms musical numbers from Austria. He also discusses the history of baroque theater and Volk's Theatre, along with Viennese culture. He is joined by Sabine Roupp, Joseph Gardner and David Miller on piano during the performances. Ritter also compares Bertolt Brecht with earlier writers, Johann Nestroy and Ferdinand Raimund. Selected pieces includes works by Mozart and Ferdinand Raymond and Johann Nestroy.

Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. While heading to the Berlin Wall, Ursula Bender points out different landmarks. In addition, once at the Berlin Wall, she reads and translates some of the graffiti left on the wall. Parts of the interview are in German as Bender talks to some people.

Interviewing historian Martin Broszat while visiting Munich, Germany at the Institute of Contemporary History(Institut für Zeitgeschichte). They discuss National Socialism(Nazism) in German & European History between World War I and World War II. As well as a brief discussion of the Neo-Nazi Movement in the 1960's in Germany.

Psychologist, Holocaust survivor and author Bruno Bettelheim discusses his imprisonment in Dachua and how it influenced his view on life with the effect of Freud and Kant’s philosophy. Bettelheim was known as an early adopter on the topic of autism.

Studs interviews Rolf Liebermann, director and composer, at the Hamburische Staatsoper in Hamburg, Germany. Liebermann explains some history of previous directors and performances. Many artists and operas are mentioned, but only a few were focused on in detail. Liebermann explains details about the operation of the opera highlighting the budget and the functions of the opera house. The recording stops short toward the end of the interview.

Interviewing Friedrich Luft while Studs was in Germany.