Church leaders Howard Schomer, Elsie Schomer and Rabbi Jacob Weinstein talk about their experiences with the Vietnamese people they encountered. The group determined no matter who they came in contact with, two things were true, they were never told that they should leave Vietnam and that all the Vietnamese people longed for peace.

William Sloane Coffin and Jim Bowman discuss history, religion, and the impact of the Vietnam War. Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.

As the assistant bishop in California, Edward Crowther believed his job was to help the poor and to help all the people who were not a part of the church. Crowther explained many people left the church and he wanted to bring them back. Crowther wants people to think about the important role that theology plays in their lives.

Isaac Bashevis Singer explains whenever he writes, he writes about life. He said that his book, "Shosha", is kind of a memoir or an autobiography. IB Singer admits that he never marries his Shosha. A theme of the novel, if there is a God, how come there's so much sadness and disappointment around in life?

Jazz singer Kurt Elling discusses his musical influences, new and past music, and the path of his career.

Friar Tuck, as he was also known, was very active in socialist causes in Chicago. In the sweatshops, working fourteen or fifteen hours was the norm. Carolyn Ashbaugh's book "Lucy Parsons" goes over Parsons' movement for the 8-hour work day.

Otto Friedrich discusses his "Time" magazine piece, his writing, and American history. Songs "Yankee Doodle Dandy," "Free America" by Joseph Warren, a German song, an 18th century Boston Tea Party song, and an 18th-century British soldier song have been removed for copyright restrictions.

Studs Terkel interviews the artist Gene Hall who created "The Black Christ Not Worthy Of Its Cross" and the head of the Loyola University Sociology Department, Dr. Paul Mundy, who used the title and painting reproduction to spark classroom discussions. Hall describes the creation of his 6 ft tall by 2 1/2 feet wide painting and how seeing the color of Christ diminishes Christ. You don't see Christ when you see color. Hall uses barbed wire instead of thorns in the painting to signify there is no time in painting, it is up to date.

Dan McCarthy and Max Smith discuss their lives including the differences between growing up gay in different races. They also discuss religion, employment and housing issues they have encountered. Part of an earlier interview with Henry Weimhoff is played.