Music director and contemporary conductor of the Brno Orchestra, Grammy winner, and pianist Dennis Russell Davies discusses his innovative techniques when conducting pieces by musicians such as Philip Glass and his work with music fusion.

Leonard Bernstein discusses his career as a composer along with his thoughts on American culture, musical theater, Black music, classical music, and education; music is played throughout the program including songs from Marc Blitzstein's play "The Cradle Will Rock."

Musicians Jerry Fuller, Jeff Bradetich, and Judi Bradetich discuss their careers and recently released works such as Fuller's Songs, Dances and Fantasy, and Bradetich's latest work, Broadway for All the Hear. Pieces from both of these works are performed during the interview, including Broadway pieces from Cabaret, West Side Story, and music highlighting the double bass's sounds.

Interviewing Polish singer Ewa Demarczyk on her career as a multilingual poet singer.

Author Carl Vigeland discusses his latest book, a portrait of the 1986-1987 concert season of the Boston Symphony Orchestra (BSO). Vigeland focuses on the nexus between art, business, and music, seen through the tense relationship between Kennedy Center Honoree conductor Seiji Ozawa and principal trumpeter Charles Schlueter.

Terkel comments and presents a musical performance of the LaSalle Quartet, comprised of two violins, a cello, and a viola. Terkel interviews Walter Levin, a senior member of the LaSalle Quartet, they discuss the following: the Second Viennese School; chamber music; transparency of quartets; subjective interpretation of compositions; the awareness of color as a musical element; and how the LaSalle Quartet was founded.

When the announcement was made, to let the audience know the opera singer they came to see would not be performing but that Martina Arroyo would be singing the part of Aida, Arroyo recalls that you could hear the crowd groan all the way in Chicago. Arroyo talks about singing in the operas. She also talks about even though she may have a starring role in the opera, the show is not hers, but rather everyone in the company works hard to put out a good production.

Enrique Arias and Studs Terkel explore music from Colonial Latin American and discuss an upcoming concert featuring music from the opera “La Purpura de la Rosa.”