Robert del Tredici photographer, artist, and author discusses the history of nuclear weapon production plants around the United States and the effects of nuclear radiation.

Charles M. Schultz gave high praise to Robert L. Short's book, "Parables of Peanuts". Long explained Schulz's comic strips and his thoughts of cruelty among children. Short further explained that Schulz's comic strips turns the readers back to themselves and gives the readers the opportunities to see their own lives as they really are.

Willard Van Dyke, cinematographer and co-director of documentaries like "The City" and "The River," talks about 20th century American history and how it effected the arts. Using his documentaries and other artists' work, he explores how the Great Depression, World War II, and the Cold War changed American art and culture. He discusses Public Works of Art, war propaganda, and McCarthyism and their challenges for artists. Near the end of this interview, Van Dyke discusses the changes in modern still photography and documentaries as Americans forget history.

Douglas W. Druick, scholar and curator of the Art Institute of Chicago, discusses his book "Odilon Redon: Prince of Dreams, 1840-1916." The interview explores Redon's life and art work, including his techniques he developed because of the time period he lived in.

Studs Terkel interviews the artist Gene Hall who created "The Black Christ Not Worthy Of Its Cross" and the head of the Loyola University Sociology Department, Dr. Paul Mundy, who used the title and painting reproduction to spark classroom discussions. Hall describes the creation of his 6 ft tall by 2 1/2 feet wide painting and how seeing the color of Christ diminishes Christ. You don't see Christ when you see color. Hall uses barbed wire instead of thorns in the painting to signify there is no time in painting, it is up to date.

Author and journalist Tom Wolfe discusses his new book, "In Our Time," which focuses on the ever-changing culture and ethics of America. Drawing examples from his cartoons he discusses how the counterculture of the 1960s, TV evangelists, politicians, and actors are challenging mores and values of the American people.

Marcel Marceau, world renown mime, talks about when he performed in prisons in France, Germany, and Chicago, including death row inmates who he could not see. He also discusses moments where he met famous silent actors such as Charlie Chaplin, Harpo Marx, and Stan Laurel. They then discuss childhood and aging. Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.

Stage director Alan Schneider talks about his work with playwrights, Samuel Beckett and Edward Albee. Plays include "Waiting for Godot," "A Delicate Balance," and "Whose Afraid of Virginia Woolf?"

Marcel Marceau, a French mime, discusses the art behind mime including silence, humanity, and astonishment. Parts of an earlier interview with Marceau are also played.

The American photographer discusses her latest collection, The Nomads of the Niger, a photographic celebration of the nomadic Wodaabe people.*Please note: some sections have been edited out from the original recording due to copyright considerations