Discussing productions of her plays "Path of Ashes" and "Maid's Play," with playwright and director Nicole Dreiske.

Discussing "Book of Lear," with director and playwright Nicole Dreiske.

Promoting a production of "The Zoo: A Musical Folly," with the Gilbert and Sullivan Society of Chicago's Executive Producer Gretchen Potts and Artistic Director Carl Forsberg.

Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.

Rilla Bergman, Lou Fant, and Bill Reese converse with Studs about The National Theater for the Deaf and the production they are presenting. Two of the actors Ms. Bergman and Mr. Reese discuss what it took to learn, as hearing people, the best ways to express themselves with sign language. They all talk about how much more expressive the actors in the Deaf Theater have to be to convey the message of the piece they are presenting.

Discussing Paul Robeson with actor, teacher, and musician Avery Brooks.

Interviewing actor Roscoe Lee Browne and actor and theater director Lloyd Richards.

Woody Allen discusses his life and art, the influence of both success and failure on his work, and how he finds comedy in life’s difficulties and trials. He discusses his first screenplay, “What’s Up Pussycat?” and other comedians who have influenced the development of his own comedic work, including Mort Sahl, Charlie Chaplin, the Marx Brothers, and George S. Kaufman.