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Conductor Christopher Keene and composer Gian-Carlo Menotti dscuss the major themes of the opera"Tamu-Tamu", other opera performances, and the kind of work that goes into creating these works. Recordings are played during the interview: "Aria", sung by Eileen Farrell from the opera "The Consul", "Gloria" sung by an ensemble from the opera "The Saint of Bleecker Street", and "Have You Seen a Child" sung by an ensemble from the opera "Ahmal and the Night Visitors". Music has been removed for copyright reasons. This also includes part of an earlier recorded interview with both subjects.
Six members of The Klezmorim discuss their musical upbringings, the history of klezmer music, and explain how song structures work and overlap. Songs played throughout are: "Moldovanke" by The Klezmorim, 2 songs by an unknown klemer band from the mid 1920s,"Papirosn" by The Klezmorim, "A Glezele Vayn (A Little Glass of Wine)" by The Klezmorim, and a live performance of "Papirosn" by The Klezmorim. All music performed by The Klezmorim were prerecorded off site. Music has been removed from this recording for copyright reasons.
Abram Loft discusses his career, his book "Violin and Keyboard", art, and music education. Includes Abram Loft reading a passage from his book "Violin and Keyboard". Includes Abram Loft reading excerpts from newspapers.
Studs interviews Joe Venuti, who reflects on his career with various bands and shows. John McDonough cohosts the interview with Studs. Venuti speaks about various instruments he and others use in Jazz. He shares a story of how the depression affected him. Venuti discusses the pranks he pulled on people and other musicians he has worked with. The musical numbers are removed from this edited version of the original recording.
Don McLean discusses his career and his music. Don McLean discusses his influences, life experiences, and his songwriting.
Studs interviews Jimmy and Marian McPartland. The McPartlands reflect on the people who influenced their music in Jazz. Studs quotes Jimmy McPartland and reads part of a critic's column about Marian in the Chicago Sun Times. Marian shares a little about what it is like to be a female musician in Jazz. Both discuss their past career and their futures. Jimmy reflects on his hard times in the 1920s-1930s. The musical numbers are removed from this edited version of the original recording.
Studs interviews Marian McPartland, who is in Chicago to perform at Rick's Cafe and the Chicago Public Library. They discuss her various performances and recorded albums. McPartland shares techniques of playing Jazz with a piano. She discusses people and events that influenced her music. The musical numbers are removed from this edited version of the original recording.
Studs interviews Marian and Jimmy McPartland. The McPartlands reflect on those in Jazz who have influenced them. Studs talks to Marian about women in Jazz. They discuss the Jazz audience. The musical numbers are removed from this edited version of the original recording.
Studs interviews Jimmy McPartland, Jazz performer. McPartland speaks about his career and his wife, Marian, who is also a Jazz performer. McPartland names southern black artists, Bix Beiderbecke, Louis Armstrong, and Big Spider Back as major influences on his music. All musical numbers are removed from this edited version of the original recording.
Marian McPartland discusses jazz music, her husband Jimmy McPartland, and her career.