Nicholas Van Hoffman discusses the characters of his novel, "Two Three Many More" about campus protests against the Vietnam War. Political viewpoints, regulations, and character analysis are discussed. Von Hoffman opens the interview with a reading from the opening of the book that mentions peace, solidarity, and disunity. Terkel and Von Hoffman read excerpts together from the book.

Anna Deavere Smith discusses and demonstrates her unique character portrayals from her works "Fires in the Mirror" and "Twilight: Los Angeles, 1992."

Studs Terkel discusses the transportation of students for school integration with psychologist Thomas J. Cottle. The main topic of conversation is Cottle's book, "Busing" (1976, Boston, MA, Beacon Press). Terkel and Cottle discuss busing in several cities, focusing on Boston, MA, where Cottle did his research and writing. They each read passages from the book, and discuss the relationship between busing and racism in America.

Reflections on the career of actor, drama teacher, WFMT announcer, and former member of The Compass Players.*Please note: some sections have been edited out from the original recording due to copyright considerations

Author and journalist Alexander Cockburn discusses his book “The Fate of the Forest: Developers, Destroyers, and Defenders of the Amazon.” Cockburn discusses the detrimental effects of deforestation not only on the environment, but for the indigenous groups, such as the Kayapo people, as well. Studs plays "Cancão Da Terra (Song of the Earth)" - Zelia Barbosa (1968).

Studs Terkel interview with James Cameron, Brittish journalist. They discuss a variety of topics with politics and young people's attitudes the majority of the interview. This interview is done in Chicago, while the other three parts were done at Lewis and Clark College.

The English journalist and social critic discusses her life and her work as a muckraker. Her book, Poison Penmanship: The Gentle Art of Muckraking, collects some of her most well-known essays and can also serve as a manual for investigative journalists.*Please note: some sections have been edited out from the original recording due to copyright considerations