Singer-songwriter and activist Holly Near discusses her work for fighting for social justice through outlets such as her music. Near a prominent proponent for the LGBTQ community has streamlined her work using folk and protest-inspired songs. Near has been awarded multiple honors from organizations such as the ACLU and the National Organization for Women for her work for social change.

Martin Duberman, historian and biographer, discusses his latest work which focuses on the singer, actor, and political activist Paul Robeson. Robeson was known for his performance in Showboat and Emperor Jones.

Author Carl Vigeland discusses his latest book, a portrait of the 1986-1987 concert season of the Boston Symphony Orchestra (BSO). Vigeland focuses on the nexus between art, business, and music, seen through the tense relationship between Kennedy Center Honoree conductor Seiji Ozawa and principal trumpeter Charles Schlueter.

In conclusion, August Derleth, spoke of his biggest influences, Henry David Thoreau and Ralph Waldo Emerson. Derleth believed that one day there would be a renaissance of great literary authors. With regards to playing the sleigh bells in churches, Iris Ford says its like blending something ridiculous to the sublime. Ford, a self-taught sleigh bell player, plays for all types of religious orders. Because playing the music is for God, says Ford, it needs to be exceptional.

Robertson Davies, Canadian writer and professor, discusses his newest book, "Lyre of Orpheus," the third book in the "Cornish Trilogy." The summary of the book and its ties to the King Arthur legend are explained.

Dempsey Travis presents a jazz program and discusses the life, the music, and the community of Chicago jazz from before The Great Depression until World War II. Travis discusses 1920s-1930s Chicago for Black families including rent parties, breakfast dances, employment opportunities, union strikes, and jazz.

Dempsey Travis, author and jazz historian, recalls his memories meeting Jazz artists of the 1920-1940s. Some artists discussed include Jimmie Lunceford, Sy Oliver, Duke Ellington, Chick Webb, Chu Berry, Andy Kirk and others. Travis also discusses his father and his own time playing Jazz.

Dempsey Travis, real estate entrepreneur and civil rights activist turned historian and author, recalls his earlier days meeting and listening to many of the African American jazz artists. Some of the musicans mentioned are Louis Armstrong, Jimmie Lunceford, Fletcher Henderson, Duke Ellington, Earl Hines, Art Tatum, Cab Calloway, Nat King Cole, and Benny Goodman.

Dempsey Travis talks about his book, "An Autobiography of Black Jazz," as he recalls his childhood memories of Jazz, Blues, and Boogie-Woogie artists that he met.