Studs Terkel discusses Russian theater with Stanislaw Pchenikov and Theater director Valentin Nikolaevich Pluchek.

Studs Terkel interviews Valentin Pluchek and Stanislaw Pchenikov on Russia theater, focusing mainly on the city of Moscow.

Author Francine du Plessix Gray discusses and reads from her book “Soviet Women: Walking the Tightrope.” The discussion is heavily focused on the feminist movement in Russia as it compares to the 1960s feminist movement in the United Sates; as Gray states the Russian movement being much more radical in terms of free love, eroticism, and artistic expression. Studs plays "Chastushki" - Zinaida Kozakova (1961).

Soviet intellectuals Tamara Mamedova, Nicolai Pogodin, and Anatol Safronov talk with Studs Terkel about their work with the Institute for Soviet-American Relations (U.S.) and Soviet arts and culture.

The New York Times correspondent in Moscow discusses and reads from his novel, The Gates of Hell. The book closely mirrors the life of Russian novelist and Soviet dissident Aleksandr Isayevich Solzhenitsyn.*Please note: some sections have been edited out from the original recording due to copyright considerations 

Even while spending four years in a labor camp, Irina Ratushinskaya managed to write her poems on bars of soap. Ratushinkaya explained that one must keep their sense of humor while in the labor camps because there is nothing else. Other women in the camps helped Ratushinkaya smuggle her poems to the outside world.

Salisbury continues talking about the artists like writers, musicians and dancers being national assets to Russia. In a country with its history of tyranny, Russian society is becoming more permissive and relaxed, explained Salisbury. Khrushchev keeps the peace right now, says Salisbury but wonders, like the title of a new book he's working on, is this "A New Russia?".