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Thomas Wikman discusses Music of the Baroque with Studs Terkel. They also discuss composers, musical talent in Chicago, musical instruments, opera, and the history of Baroque music.
Sol Hurok discusses his work as an impresario, organizing events and bringing artists from around the world to the United States to perform. Studs Terkel plays songs by many of the artists and performers that Hurok has managed during the interview, including Feodor Chaliapin, Nellie Melba, Titta Ruffo, Luisa Tetrazzini, Sviatoslav Richter, Marian Anderson, and Arthur Rubinstein. Music has been removed from this version for copyright reasons.
Cole Porter biographer Robert Kimball talks with Studs about his book "Cole" and his subject's life and work as they listen to classic performances of some of his most beloved songs. They marvel at how Porter perfectly captured the zeitgeist of the times in his lyrics, his lyrical influences, his unique method of outside-in composing lyrics and music simultaneously, Bobby Short's masterful interpretations, controversies over some of his works, and how well his material holds up.
Studs Terkel and William (Bill) Leonard share memories of the Blue Note Jazz Club as a tribute to Frank Holzfeind. Music is played throughout the episode: "After You've Gone" by the Benny Goodman Sextet, "The Flat Feet Floogie" by Slim and Slam, "How High the Moon" by Sarah Vaughan, "Destination K.C." by Count Basie, "West End Blues" by Louis Armstrong, "Lil' Augie Is A Natural One Man" by Chet Roble, and "Rock Skippin' at the Blue Note", Duke Ellington. Songs have been removed for copyright reasons.
They talk about other performers Madam Mason worked with. Edith shares her view on the difference between opera in her day and the current opera. Parts of this version appears to be a duplicate of another, but there are a few parts that are not duplicates. The musical pieces are removed from this edited version of the original recording.
Studs replays his interview with Edith Mason 21 years ago. Madam Mason discusses her childhood as it pertains to her career. She shares her training and study in Paris. Mason recalls the many composers and conductors she has worked with and the various opera companies she worked for. The musical numbers are removed from this edited version of the original recording.
Ivan Moravec discusses his career, classical pianists, and composers. He also discusses his colleagues or contemporary pianists.
Studs interview with Danny Newman, Public Relations Council for the Lyric Opera Company. Newman shares his theatrical opera introductions and discusses a variety of performers and operas for the Lyric Opera Company season.
Ursula Oppens and Studs discuss contemporary avant-garde piano. Oppens performs pieces from contemporary composers.
Interview with Jim Bolle and young musicians Cheryl Griffin, Clyde Jennings, Lotilda Hudson, Joseph Johnson, Stephen Graham.