James Cameron reflects on his life in journalism and his near death experience in India which led to his heart operation in London. Cameron turned that near death experience into a BBC play called "The Pump". Cameron discusses that with Terkel as well as his autobiography, "Points of Departure". Cameron also discusses the June War or Six Day War with Terkel. Cameron reflects on the role youth play in society whether in Israel or Northern Ireland and how they should understand they possess a greater potential. The interview breaks at 27:18 and continues.

During a visit to London, Studs interviews a 73 year old cab driver in London, who has 50 years on the job. They discuss traffic jams, the elderly and the young, poverty, welfare, and society. Studs also interviews a number of people attending the Tate Gallery's Lichtenstein Exhibition.

Discussing UC Berkeley's Free Speech Movement with Richard "Skip" Richeimer. There is no free speech at UC Berkeley and the university is no longer concerned with the students and the faculty on this matter. Richeimer says the main problem is whether the administration of the university has the right to control the content of speech.

On December 3, 1970, Debbie Sweet won the Young Americans Service Award. She talks about what happened when she met President Nixon to receive her award. Upon shaking his hand, Sweet told President Nixon that she didn't believe in his sincerity in giving out the awards until he got us (America) out of Vietnam. Her encounter with President Nixon made headlines around the world.

Using past recordings, Ella discusses how she works with children to help them find their rhythms using call and response music and percussion. She explains the West African and Latin music influences within her own music. Music played includes Jenkins' own music such as "Miss Mary Mack," "Tahboo," and "Where Has My Little Dog Gone?" She also plays song written by Carl Orff and performed by the Chorus of the Children's Opera Group, such s "Pat-a-Cake," and "Name-Calling." Untitled West African music is also played. Music has been removed due to copyright restrictions.

Music, long hair and the war are among the topics discussed at the pub. Ingo plays the guitar and he's looking for fun with music. Ingo hopes to get married and have children one day. When asked about the war, Brigitte says she doesn't like to think about it and that people should forget about what happened. It's apparent that the group wants to live in peace but none of the individuals have any plans for making a better world.

Allan Evans and Henry Jordan, two young man who grew up in Chicago and attended Dartmouth, discuss their childhoods and adolescent dealing with crime. The two also talk about their gang, The Vice Lords, and the police brutality they experienced. Next, the group talks about the The Foundation Years, a project from Dartmouth.

Allan Evans and Henry Jordan, two young man who grew up in Chicago and attended Dartmouth, discuss The Foundation Years project. They talk about trying to recruit friends to Dartmouth, their campus experiences, and their coursework. They also talk about their experiences going through the public school system in Chicago, where they point out many of the inequalities for black students.

Studs Terkel interviews the artist Gene Hall who created "The Black Christ Not Worthy Of Its Cross" and the head of the Loyola University Sociology Department, Dr. Paul Mundy, who used the title and painting reproduction to spark classroom discussions. Hall describes the creation of his 6 ft tall by 2 1/2 feet wide painting and how seeing the color of Christ diminishes Christ. You don't see Christ when you see color. Hall uses barbed wire instead of thorns in the painting to signify there is no time in painting, it is up to date.