Both interviews incomplete. King Solomon as Kid Pharaoh, hot dog shop owner in Chicago, and former prize fighter. Mr. Solomon talks about his business and how he has earned his place. He talks about being a gambler, and speaks of being "rough" and receiving his money in an unorthodox manner, "protection" so to speak. The Interview ends abruptly at 13:42. At 13:43 interview begins with Barry Byrne architect and student of the "Prairie Style" talks about his education with Frank Lloyd Wright. He speaks fondly of "father"(Frank Lloyd Wright) and his time studying under him.

Nick Cherniavsky and Barbara (Bobbe) Herndon share their work of collecting oral histories of the coal miners of Southern Illinois who were members of the Progressive Mine Workers of America during the 1930s. The following oral history segments are played: Frank Bertetti, Joe Ozanic, Jack Battuello, James (Jim) Hopley, and Irene Allard.

Ironworker and writer Mike Cherry discusses his book, "On High Steel: The Education of an Ironworker."

Discussing the political situation in the Philippines and the human rights organization Task Force Detainees of the Philippines (TFDP) with Sister Margot Lloran. The TFDP works with the Filipino people to craft a response to militarization.

Activist Dolores Huerta of United Farm Workers discusses farm laborers and immigrant rights; includes excerpt of Cesar Chavez, excerpt from Viva La Causa, and interview with Roberto Acuna.

Harry Jackson discusses his career as a singer, painter, and sculptor and the inspiration he took from fellow contemporaries and Italian sculpture. Between 10:00 and 11:00, Jackson remarks that Mary Wright "from the south fork of the Shoshone River" is in the studio with them.

Laurel Snyder describes to Studs Terkel her journey into prostitution and her involvement in the organization COYOTE, which advocates for the rights of sex workers and the decriminalization of prostitution.

A conversation about the seventh installment in the V.I. Warshawski mystery series.*Please note: some sections have been edited out from the original recording due to copyright considerations