Author, professor, and John Keats biographer, Aileen Ward, discusses and reads from the biography “John Keats: The Making of a Poet.” Ward discusses Keats’ schooling, his relationship with Fanny Brawne, and Keats’ work in comparison to his contemporaries such as Percy Bysshe Shelley. Ward reads Keats’ 1818 poem entitled “Isabella, or the Pot of Basil.” Studs plays a recording of Ralph Richardson reading Keats’ 1819 poem “Ode on a Grecian Urn.”*Please note: some sections have been edited out from the original recording due to copyright considerations

Helene Kazantzakis talks about “The Great Passion” which was written by her husband, Nikos Kazantzakis. She also talks about the book that she is writing about her husband’s life. Studs Terkel reads aloud from “The Great Passion” and Helene reads aloud some of letters featured in the biography titled “Nikos Kazantzakis.” This interview opens with a song written by Nikos Kazantzakis called “The Dance” and closes with the song “Myrtia.”

Helene Kazantzakis talks about “The Great Passion” which was written by her husband, Nikos Kazantzakis. She also talks about the book that she is writing about her husband’s life. Studs Terkel reads aloud from “The Great Passion” and Helene reads aloud some of letters featured in the biography titled “Nikos Kazantzakis.”

As the guest editor of “Critical Inquiry,” Henry Louis Gates, Jr. covered the importance of Black writers and their contributions. Because there is no color blindness is the western world, explained Gates, pointing out that one is a Black writer or a Black doctor is important to society. Gates also covers the issue of race not being solely about Black and white people but rather it has to do with multi-ethnic and multi-cultural people.

Paul Angle discusses his book "Crossroads: 1913," and Win Stracke provides a musical review. The three gentlemen talk in depth about the book with live and recorded music interspersed. Music: "Water--Oh!, Water For Me" and "The Rosary." "The Voice of Vienna" (a waltz).

Author, journalist, and historian Garry Wills discusses his book “Witches and Jesuits.” Wills’ book, and this discussion, focuses on recontextualizing Shakespeare’s “Macbeth” in the original setting of 17th century England, informing readers and listeners of how the play would have been received during that time and what exactly makes it a dark tale. Studs plays an English traditional song “Soul Cake” and a clip of a stage performance of William Shakespeare's "Macbeth" by Margaret Leighton.