Jules Feiffer discusses and reads from his children's graphic novel, "The Man in the Ceiling." The book has a central theme of overcoming failure and is slightly autobiographical in nature, with a comic book artist as its main character and author. Studs plays "Golliwog's Cakewalk" - Claude Debussy (1906-1908).

Jules Feiffer discusses his book “Jules Feiffer’s America: From Eisenhower to Reagan”, a retrospective that chronicles his years as a social and political cartoonist. Studs and Feiffer read through several of Feiffer’s cartoons featured in this book, working their way through the book in “eras” which are categorized based on the U.S. President of that particular time frame. Studs plays “Sh-Boom” - The Crew Cuts (1954), “Big Bad John” - Jimmy Dean (1961). “Yellow Submarine” - The Beatles (1966), and “Happy Days Are Here Again” - Casa Loma Orchestra.

Professor John Nef explained that Marc Chagall came from an environment of nothing. From his dreams, Chagall created joy in his pieces of art. Nef lets the audience know that Chagall said he still has a lot of unfinished artwork to complete. The 3rd and last part of this program is a colloquy. Again, through another translator, Chagall’s words are translated. Marc and Valentina Chagall speak French.

Barry Byrne, architect, recalls his life and how architecture has changed in his lifetime. He discusses his childhood, the death of his father, the Prairie School, and his time working under Frank Lloyd Wright. Byrne also touches on how Chicago's cityscape has changed such as the disappearance of small neighborhoods.

Discussing the book "Degenerate Art: the Fate of the Avant-Garde in Nazi Germany," (published by H. N. Abrams) with the author and editor Stephanie Barron.

Interest into James Steven George Boggs' artwork first started because Boggs had doodled a picture on a napkin at a coffee shop. The waitress there really liked Boggs' drawing and offered him $50.00 for it. Boggs, otherwise known as J.S.G. Boggs, also talks about how the Bank of England placed him on trial, accusing him of illegally producing currency.

Discussing the book "Slim's Table: Race, Respectability, and Masculinity" (published by University of Chicago Press) with the author Mitchell Duneier, photographer Ovie Carter, Nate "Slim" Douglas and Ed Watlington,

Discussing the book "Eisenstaedt: Remembrances," with the author Alfred Eisenstaedt. A renowned photojournalist, Eisenstaedt was one of the first staff photographers for LIFE magazine when it debuted in 1936.