Artist Jim Grigsby and other unnamed guests talk about introducing sound into art classes. Includes an unrehearsed production by a woodworking class.

Micheál Mac Liammóir, actor and playwright, discusses his upcoming performance based on the writings of Irish playwright and poet Oscar Wilde.

Photographer and author Walter Rosenblum, and dancer and choreographer Daniel Nagrin discuss art, life, photography, and dance. The two answer the question “What calls one to a life of art?” and other driving factors for artists such as political, social, and economic interests. Studs opens and closes this program by playing an untitled Armenian dance song.

Carol Wald's book, "Myth America: Picturing Women, 1865-1945", came about after she saw some pictures of women and how they were depicted. Wald asked herself if the images of the tacky, frail American women represented her. Various images like sheet music, postcards, and advertisement posters showed women as good girls, nice girls, pious and pure. Wald's point is women are not perfect angels nor are they angelic all the time.

Architect John Vinci, art and architectural historian David Van Zanten, and curator Wim de Wit discuss Louis Sullivan and the Chicago Historical Society’s exhibition “Louis Sullivan: The Function of Ornament.” The group discusses Sullivan’s use of ornament to add an organic element to his architecture; as well as some of Sullivan’s most prominent work, including the Chicago Stock Exchange Building, the Auditorium Building, and the Sullivan Center. This program includes a clip from 1956 of Frank Lloyd Wright discussing Sullivan and his impact on architectural design.

Abena Joan Brown, President of ETA Creative Arts Foundation, a Chicago-based African American cultural performing arts institution discusses some upcoming shows and past activities. Artists, Paul Robeson, Mahalia Jackson, Billie Holiday, Sam Cooke and poet Angela Jackson are discussed.

The journalist, memoirist, and actor discusses her biography of the photographer Diane Arbus (the first American to have photographs displayed at the Venice Biennale).*Please note: some sections have been edited out from the original recording due to copyright considerations