Tribute to Curtis MacDougall and reading 'The Stickman's Laughter'

Reverend Will B. Dunn and Mother Teresa are among the many subjects of Doug Marlette's book, "There's No Business Like Soul Business." Marlette explained his cartoons are either political or they deal with the religious right and race relations. The majority of the interview consists of Marlette and Studs Terkel reading lines from the cartoons in the book.

Art critic Linda Winer discusses her Chicago Tribune series on Cuba social culture and political conditions, especially in regards to dance companies. Studs plays a live version of "Guantanamera" - Pete Seeger (1963), "Canto Para Elegua" - Grupo Folklorico de Cuba, and “Canto a Wamba” - El Conjunto Experimental Santero.

Discussing past and present trends in American writing and interviewing distinguished American literary critic Malcolm Cowley.

While their works and forte is classical music, Roger Detmer and Virgil Thomson talk about tape and electronic music. Detmer points out that in some eastern European countries, tape is considered pasee, and yet it's used often to recreate a sound to be used with their orchestras. Both men talk about electronic music and how it's sometimes used to make hand-made music sound artificial.

According to Jens Kruuse, being born in the same home town as Hans Christian Andersen is Kruuse’s claim to fame. A well-known literary critic, Kruuse says that people don’t realize he’s an excellent bridge player who enters tournaments. Kruuse explains that Denmark has the biggest coastline in all of Europe and that the people there live a truthful, simple but good life. The interview ends abruptly.

Interviewing Friedrich Luft while Studs was in Germany.

Friedrich Luft, Chief Drama Critic for Die Welt discusses German theater and Bertolt Brecht as well as new playwrights such as Peter Weiss. Unlike American theaters, Germany has over 200 theaters that are subsidized and each town of 50,000 has a theater. Just like the days of The People's Stage (which still exists) the grocer and cobbler of Germany enjoy the theater. They are as devoted to the theater as going to a museum or church. They are treated to 12 to 16 new or old plays from Sophocles to Sartre or Pinter.