Peter Ustinov discusses his wide-ranging career in the arts as an actor, author, director, and dramatist.

Nick Rudall talks about directing his 7th play by George Bernard Shaw. Three cast members, Daria Martel, Tom Amandes and David New are part of the interview, too. The actors reenact various scenes of the play. Rudall explains Shaw wrote "Candida" as a way to sort through his complicated feelings with a woman.

Discussing productions of her plays "Path of Ashes" and "Maid's Play," with playwright and director Nicole Dreiske.

Discussing "Book of Lear," with director and playwright Nicole Dreiske.

Studs Terkel's EBO contest

Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.

Woody Allen discusses his life and art, the influence of both success and failure on his work, and how he finds comedy in life’s difficulties and trials. He discusses his first screenplay, “What’s Up Pussycat?” and other comedians who have influenced the development of his own comedic work, including Mort Sahl, Charlie Chaplin, the Marx Brothers, and George S. Kaufman.

The Goodman Theatre cast of the play “Fences” discuss some of the major themes from the play, including the African-American experience and race relations, particularly in Major League Baseball.

Garson Kanin discusses his book "Hollywood: Stars and Starlets, Tycoons, Moviemakers, Frauds, Hopefuls, Great Lovers", published in 1967.

Herbert Blau’s KRAKEN experimental group performed, “The Donner Party, Its Crossing,” at the at the Body Politic Theatre. Blau shares his thoughts on the theatre and his approach to theatre. Blau believed there was always a story to be told, and that an audience would only understand the true story of people’s hardships by telling and re-telling a story over and over again. The program also includes an excerpt of a George Keithly interview at 5:40 to 7:40.