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While in a Dusseldorf prison, Gitta Sereny spent 70 hours interviewing Franz Stangl, the commandant of the Treblinka extermination camp. Her book, "Into That Darkness: An Examination of Conscience," questions how could an ordinary man with a wife and children become such an evil monster. Stangl rationalized his job by saying he never hurt anyone, that he never murdered anyone. Sereny said in the end, the only guilt Stangl harbored was that of still being alive.*Please note: some sections have been edited out from the original recording due to copyright considerations
While in a dressing room, Gisela May talks about the songs that she sings in the play, "Mother Courage and Her Children". May also talks about lessons learned from Bertolt Brecht's plays.
Interviewing Giora Feidman, an Argentinian clarinetist who specializes in the klezmer musical tradition.
Studs interviews Gilbert Moses about his play, "Blues for Mister Charlie" and The Free Southern Theater. They discuss a variety of plays that include, "White America," "Roots," and "Blues of Mister Charlie."
Studs interviews Gilbert Moses about the Free Southern Theatre that performed throughout Mississippi depicting the lives of Southern blacks. Moses describes the audiences and their reactions to the plays and their own participation in acting out their lives.
Gian Carlo Menotti discusses his career, his operas, and his colleagues. Menotti's operas they discuss are "Amelia goes to the Ball", "The Consul", and "The Medium".
Gertrude Abercrombie discusses the overlap between her artwork and Chicago jazz scene.
Through an interpreter, the French actress and singer talks about her approach to acting and how she finds her own meaning in the works of songwriters.*Please note: some sections have been edited out from the original recording due to copyright considerations
Austrian-born American historian, woman's history author and feminist Gerda Lerner focuses on the origins of misogyny in society in her latest book
Geraldine Page is Zelda Fitzgerald in the play, "Clothes for a Summer Hotel". When first reading the play, Page didn't like Zelda because she believed Zelda was a privileged, rich, spoiled brat. Although she said Zelda had her flaws, Page learned that Zelda had the gift of writing.