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Promoting a production of "Lady Day at Emerson's Bar and Grill."
Eric Bogosian discusses and displays acting techniques he picked up throughout his career. He also performs readings from his book “Notes from Underground.” Content Warning: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.
Terkel interviews Welsh actor/writer/dramatist Emlyn Williams.
Danish essayist and novelist Elsa Gress discusses her work, current events, and cultural movements. Her book "My Many Homes" ("Mine mange hjem") is also mentioned. She talks about American and Demark, theater, and the sexual revolution.
Elizabeth Garry, talks about her one woman show "Victoria." The show tells the story of Victoria C. Woodhull the first women to run for President in 1872. Garry discusses Woodhull's life including her supposed clairvoyant talents, suffragist works, and her work as a broker and publisher. Woodhull's arrest for obscene literature with her newspaper, "Woodhull & Claflin's Weekly," is also discusses and Garry performs the part of her show that describes that event. Garry also breifly explains her research and writing process for the show.
Studs Terkel talks with Elisabeth about her career in opera. She discusses her thoughts of her overall career.
Edward Atienza discusses his early career as a stage actor in England. Mr Atienza talks of his work with the Stratford upon Avon(Royal Shakespeare Theater) and working with Peter Ustinov and Laurence Olivier. He sings three songs throughout the interview: "When that I was a little tiny boy", "Willow song" and "Go away from my window"
Every play is political and art isn’t easy, according to Edward Albee. People need to realize that going to the theatre is an arena of engagement rather than one of escapism, says Albee. Due to people’s lack of knowledge and self-awareness, we in society, we deserve everything bad that we get, are also part of Albee’s views.
Studs Terkel continues to interview actress and singer Eartha Kitt. Part 2 of the interview begins with the song "Üsküdara", and ends with "Mountain High, Valley Low", both sung by Kitt. Kitt discusses the following; her career; her desire to entertain; her autobiography, "Thursday's Child"; her mothers death; the art of interacting with the audience; the femme fatale; her time with the Katherine Dunham Dancers; and her portrayl of Helen of Troy.
When he was a child, Dudley Moore first wanted to study the violin. He's grateful to his mother for insisting that he first study the piano. Moore said his influences include Bach and Garner. Unlike other musicians, Moore's main focus has always been on the beat, both the cultivation and the presence of the beat of a song and of music.
Welsh scholar Dr. M. Merchant speaks about Shakespeare and his impact on other arts and artists. Toward the end, there is an excerpt of Sir John Gielgud in Shakespeare's "Measure for Measure."*Please note: some sections have been edited out from the original recording due to copyright considerations