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Tennessee Williams said he'll stop writing when he can no longer produce good work. He spoke of being puzzled as to why so little of his work gets produced in New York. Williams also talked about taking offense when the first sequences of the TV show "Dallas" aired. He explained that the owner of the great estate in "Dallas" was a copy of his Big Daddy character, who was a wealthy plantation owner.
Rose Rigsby a writer and poet is interviewed along with Betty Shifflett, who teaches fiction at Columbia College. Ms Rigsby and Ms. Shifflett talk about writing with Studs. Ms. Rigsby reads from her stories and about her time in the Sanitarium and receiving shock therapy. Several excerpts are presented from an interview with Rose Rigsby speaking about children and of taking care of them. (1925145-3-1)
Mr. Rosen discusses why he has written a memoir so early in his life and speaks about his other writings. Mr. Rosen reads excerpts from his book.
Terkel comments and reads with Reginald Gibbons
Nelson Algren discusses his short story, "How the Devil Came Down Division Street," the art of writing, and writers of the Beat Generation.
Studs Terkel interviews composer Ned Rorem. They discuss Rorem's childhood, music, poetry, languages, and religion.
N. Scott Momaday, a Kiowa author and poet, discusses his collection of poetry in "The Presence of The Sun" and Native American history. Momaday also talks about horses, Native American shields, Billy the Kid, and Native American culture.
Three distinguished Chicago poets — Michael Anania, Ralph Mills, and Lisel Mueller — read selections of their work and discuss the art and rhythm of poetry, influences and inspiration, and the power of memory. Includes a recording of Gwendolyn Brooks reading her poem, "The Rites for Cousin Vit."
Poet and editor Michael Anania discusses his poetry collection, “The Color of Dust” and reads selected works from the collection. Anania discusses Midwest history and geography and his own Nebraska roots as influences on the work and its themes of love, war, and social issues. Episode includes relevant music and theatrical recordings, including “Immortality” read by William Jennings Bryan, “Rake and Rambling Boy,” Jefferson Airplane’s “Somebody to Love,” “Dust Bowl Refugee” by Woody Guthrie, and “The Battle Hymn of the Republic.”
Poet and editor Michael Anania discusses his poetry collection, “Riversongs” and reads selected works from the collection. Anania discusses the themes of place, transience, and permanence in the Midwest. Episode includes relevant music recordings, including a number of unidentified instrumental recordings and songs by Woody Guthrie, Los Jaivas, and Joni Mitchell.
Writer and poet Maya Angelou talks about her life, Creole influences, and her book “Gather Together in My Name” with Studs Terkel. Angelou reads an excerpt from the book and the recording opens with Angelou reading one of her poems.
Angelou discusses her book "I Know Why the Caged Bird Sings" and recites "When I Think About Myself." She talks about growing up in Stamps, Arkansas, and her family. Copyrighted material has been removed.
Canadian poet and novelist Margaret Atwood discusses her poetry and her first novel, “Surfacing,” focusing on the novel’s symbolism and the themes of nature, religion and memory. She compares life, attitudes, and politics in Canada with those of the United States.
Discussing the book "Brown River, White Ocean: An Anthology of Twentieth-Century Philippine Literature in English" (published by University of Rutgers Press) with editor and poet Luis Francia.
Lastly, with his book, "The Library of Great American Writing," Louis Untermeyer talks about Mark Twain, Emily Dickinson and personal friends of his, Robert Frost and Carl Sandburg. Twain, said Untermeyer, started out as a humorist but then became more pessimistic with "The Adventures of Huckleberry Finn". Emily Dickenson wrote in secret and she only gave permission for six of her poems to be published.