Studs interview with Andres Segovia about his life in Grenada and how he came to play the guitar as an orchestra instrument. Segovia speaks to the history of the guitar and other instruments as classical musical instruments. They discuss Segovia's choice of instrument, how he gives back to his genre, how he stays vibrant at his age, and how he and his audiences relate. Segovia explains his desires for the guitar in the philharmonic world. Studs notes how Segovia has had to teach composers how to write for guitars.

Discussing the opera "Hydrogen Jukebox," with poet Allen Ginsberg and composer Philip Glass.

Studs interview with Alexander Tcherepnin about his compositions for opera and a variety of instrumentals. Tcherepnin shares his childhood in Saint Petersburg born into a family with a rich musical background. He also shares his opinion about how Hitler affected the opera in Europe. This edited version does not include the musical recordings played in the original version.

Russian composer Alexander Tcherepnin discusses his travels to China & Japan and their influence on his music, composing for non-traditional instruments, electronic music, teaching young composers, and his "Concerto No. 2".

Russian composer Alexander Tcherepnin discusses his early upbringing, training, and composing in Saint Petersburg, as well as the influence of his composer father, Benois family relatives, and associates of Ballet russes.

Russian composer Alexander Tcherepnin discusses his early upbringing, training, and composing bagatelles in Saint Petersburg, as well as the influence of his composer father, Benois family relatives, Russian/Asian/European cultural influence, electronic music.

Interviewing organist, pianist and conductor Alexander Frey.

Studs interviews Alan Stone, Steven Larson, and Judith Erickson about the opera, "Regina," playing at the Chicago Opera Theater. They describe the variety of music and dances in the opera. Stone, Larson, and Erickson name the cast and their roles and describe the characters. Each share how they came to be in theater. Stone explains how the company started. Larson describes the orchestra and the chorus. Erickson reads some of the lyrics of the aria, "The Best Thing of All," at the end of act one. Stone, Larson, and Erickson read various lines from the opera.

Abram Loft discusses his career, his book "Violin and Keyboard", art, and music education. Includes Abram Loft reading a passage from his book "Violin and Keyboard". Includes Abram Loft reading excerpts from newspapers.

Studs interviews Abraham Chasins about his book, “Leopold Stokowski: A Profile.” They discuss Stokowski’s life in great detail as they discuss different parts of the book. Chasins describes the amazing career and life of Stokowsky who revolutionized the symphony orchestra. Studs reads a few excerpts from the book. Chasins shares some background behind some of the stories from his book. Studs and Chasins discuss the various orchestras Stokowsky worked with. Chasins notes that Stokowski taught his audience how to behave and never used a baton when he conducted.

Aaron Copland discusses his music, his colleagues, contemporaries, musicians, and composers.

Studs sits down with a musicologist and jazz musician, an American violinist, and a Russian violinist to discuss their cross-cultural and musical genre-bending collaboration - the American Soviet Youth Orchestra (AKA the American Russian Young Artists Orchestra).*Please note: some sections have been edited out from the original recording due to copyright considerations 

Interviewing the oboist and director of the Quadrangle Chamber Players, an ensemble of nine musicians from the Chicago Symphony Orchestra.*Please note: some sections have been edited out from the original recording due to copyright considerations 

The American flutist discusses her debut novel, Deceptive Cadence, and the lives of concert musicians.*Please note: some sections have been edited out from the original recording due to copyright considerations