Kenneth Allsop, literary critic for the Daily Mail, BBC host of Tonight and author of "The Bootleggers and Their Era" sits down with Studs Terkel to discuss everything from the Social Realism of Arnold Wesker, Allen Sillitoe, and Shelagh Delaney known as the Backstreet Kids to the class warfare of "The Fourth of July" author David Benedictus. The two key groups of theater, the Royal Court led by George Devine and the Theater Workshop led by Joan Littlewood is also discussed.

Margie Adam, musician, activist, and composer, discusses how events such as the women's movement and the lesbian-feminist movement inspired her to create music for her new album, Another Place. The album reflects on Adams's life and on topics such as her sexuality.

In conclusion, Joan Littlewood talks about the 21 acres of land that she owns by the banks of the river near London. Littlewood says people who live on the countryside and enjoy the outdoors are theatre lovers. When asked if she herself was crazy, Littlewood answered, "But aren't we all?"

British actress Frances Cuka discusses the play "A Taste of Honey" and her career. Audio cuts off abruptly at the end of the interview.

British actress Frances Cuka discusses the play "A Taste of Honey" and her career. Audio cuts off abruptly at the end of the interview.

Discussing the art exhibit "Spumoni village" and interviewing Cosmo Campoli and Sonya Gilke. They discuss life, art, education, and sculpting. Includes an interview clip of theater director Joan Littlewood.

This lighthearted interview with actor, director and author Victor Spinetti is juxtaposed by the September 5, 1975 bombing of the London Hilton, which took place mere hours beforehand and "two blocks away," according to Studs. The two discuss Spinetti's Welsh background, acting and comedy with nervous energy against a backdrop of gunshots and bomb threats.

Part Two of this engrossing interview sees Spinetti elaborate on characters from Joan Littlewood's production of "Oh, What A Lovely War!" in England. Includes a reading of "The English Seaside in High Summer" and an a capella performance of the musical's Act I closer, "Good-bye-ee!", both by Spinetti.

English actor, director and writer Victor Spinelli discusses several aspects of Joan Littlewood's production of "Oh, What A Lovely War!", including the origin of the songs, slides and quotations used in the musical. The two also discuss the World War War I, blind patriotism and what an Italian drill sergeant might sound like. Includes as a reading of "Watchers Along the Mall" by Spinetti.