Both Bob and Joan Ericksen ask why is a school being built not only by two highways but right next door to a paint factory. They contend that the paint fumes can't be good for anyone to breath. Instead of asking their patients where they work, Dr. Carnow believes more doctors need to ask, "What do you do?", to determine if they're working with any hazardous materials that may harm their health.

Dr. Benjamin Spock and Dr. Michael B. Rothenberg discuss the 40th anniversary edition of the book “Baby and Child Care.” The two discuss the changes they've made to the book, criticism they’ve faced since releasing the book, and how they’ve rethought gender roles in childcare. Studs plays “Hush Little Baby” - The Weavers (1955).

CONTENT WARNING: This conversation has the presence of outdated, biased, offensive language. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion.

Dr. Aviva Weissman discusses the emergence of family planning services in England and the importance of women having access to contraception and other services. Weissman discusses her experience with families who have benefitted from the services of Planned Parenthood.

Dr. Alan Solem, a malacologist, and Dr. John Engle, a bryologist, from the Field Museum discuss a research trip they plan to take to Australia. The two doctors also discuss climate and ecology in the Americas and in Australia. Dr. Solem will be researching land snails and Dr. Engel moss and liverworts.

Dr. Eugene Mindel, child psychologist and author, discusses his book, "They Grow in Silence: The Deaf Child and His Family,". Dr. Mindel and Studs talk about deaf children and how they learn to communicate without the ability to hear or speak. Studs reads an excerpt from the book about a deaf person feeling locked into themselves. Studs and Dr. Mindel talk about the the book "In this sign" by Joanne Greenberg a novel that portrays the isolation and loneliness of the deaf couple and the struggle of their hearing daughter.

Douglas W. Druick, scholar and curator of the Art Institute of Chicago, discusses his book "Odilon Redon: Prince of Dreams, 1840-1916." The interview explores Redon's life and art work, including his techniques he developed because of the time period he lived in.

Theater director Douglas Turner Ward talks with Studs Terkel about the play "The River Niger." Further discussion is had about the play's writer, Joseph Walker, as well as the story and characters, and the play's connection to the African-American community.

Author Douglas Dowd discusses topics from his book "Blues For America: A Critique, A Lament, and Some Memories," including war, religion, and American history.

Douglas Clayton's book, "Floyd Dell: The Life and Times of an American Rebel" is a biography of a well-known author of his time. Clayton pointed out what's covered in his book. Not only did Dell write a number of books, but he also wrote a play. He was also charged twice for his subversive literature. He worked for the WPA under FDR in 1935.

Reverend Will B. Dunn and Mother Teresa are among the many subjects of Doug Marlette's book, "There's No Business Like Soul Business." Marlette explained his cartoons are either political or they deal with the religious right and race relations. The majority of the interview consists of Marlette and Studs Terkel reading lines from the cartoons in the book.

The program starts with a short clip of Studs Terkel interviewing Peggy Terry talking about The Great Depression and American propaganda during Vietnam War. After that clip. Dotson Rader starts to talk about his book "I ain't marchin' anymore"

Dorothy Parker’s thoughts as a critic and writer on the state of American literature.

Registered nurse and activist Dorothy Granada discusses the Women’s Health Center in Mulukuku, Nicaragua. Granada discusses her history with nonviolent activism and how this inspired her to help establish a women’s health center in Nicaragua that offers assistance to low-income communities and prioritizes the incorporation of traditional healing methods used by the indigenous people of the community. Studs plays "Yo soy de un Pueblo" - Luis Enrique Mejia Godoy (1984).