Community organizer and social activist, Saul Alinsky speaks about his newest book, "Rules for Radicals," and reminisces about his work in the Back of the Yards neighborhood, his advocacy for African-American labor rights, and his connection with the Mexican-American civil rights movement in California. Although Studs' introduction states that this is a rebroadcast of a 1962 interview, that is incorrect. The interview was recorded in 1971.

Sarah Caldwell expresses how fortunate she's been in her career as a conductor. This recording also contains an excerpt with opera bass-baritone Donald Gramm.*Please note: some sections have been edited out from the original recording due to copyright considerations 

*Please note: some sections have been edited out from the original recording due to copyright considerations 

Sandra Lieb discusses the book "Mother of the Blues: A Study of Ma Rainey." Includes songs sung by Ma Rainey such as "Runaway Blues," "See See Rider," "Moonshine Blues," and "Oh, Papa Blues." Includes poem "Ma Rainey" by Sterling Brown. Includes "Oh, Daddy," by Ethel Waters. Includes "Young Woman's Blues" by Bessie Smith.

Sandra Cisneros sits down with Studs Terkel and provides behind the scenes commentary on poems from her new book "My Wicked Wicked Ways." She provides an enlightening history to them. "Curtains," "Velorio," "Arturo Burro," "I Told Susan Reyna," "Traficante," "In a redneck bar down the street," The Poet Reflects on Her Solitary Fate," "His Story," "Letter to Ilona from the South of France," "New Year's Eve" have been removed due to copyright restrictions.

Political comedian and reporter Sammy Drechsel and actor Jurgen Scheller discuss Germany and their work. The exchange is aided by interpreter Margot Steeger. Part 2 of 2.

Political comedian and reporter Sammy Drechsel and actor Jurgen Scheller discuss Germany and their work. The exchange is aided by interpreter Margot Steeger. Jurgen Scheller joins the conversation towards the end of this recording. Part 1 of 2.

Sam Wanamaker continues his discussion about the theater, with an emphasis on lights and music. With his production of "Macbeth," Wanamaker didn't want three-dimensional witches. Instead, he used lighting to convey their presence. In addition, similar to the line from Macbeth, Wanamaker was able to show the witches disappearing and melting into the air.

Sam Wanamaker talks about the curtain of a stage being a barrier between the set and the audience. Wanaker says that with theater today, there are more theaters in the round and more thrusts of ramps built into the audience, so that the audience can feel they are a part of the production of the play.

While in town for the Chicago Jazz Festival, Sam Pilafian and Gerhard Meinl discuss the history of the tuba. With demonstrations on the tuba, they play scales and other short pieces. Gerhard Meinl's family business of making instruments like the tuba has been around since 1810, explained Meinl.

Sam Levenson discusses comedy and talks about his family life. He talks about the social push to get the children "off the corner" and how the roles in a traditional family have changed.

Interviewing singer, guitarist, and civil rights activist Josh White and blues singer Sam Gary about their blues and folk music.

Humanitarian and author Sally Trench discusses her book “Bury Me in My Boots,” her work with the homeless communities in England, her journeys, and her belief in self-help with Studs Terkel. Both Trench and Terkel read an excerpt from Trench’s book “Bury Me in My Boots.”

Humanitarian and author Sally Trench discusses her book “Bury Me in My Boots,” her work with the homeless communities in England, her journeys, and her belief in self-help with Studs Terkel. Terkel reads an excerpt from Trench’s book “Bury Me in My Boots.”