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Jonathan Miller discusses English society and class post WW2 and his TV movie Alice in Wonderland; part 1.
Ivy Compton-Burnett continues the discussion of class structure in England. Ms. Compton-Burnett states that she has never been a actor but she had always been an observer, to which Studs agrees that her writing reflect her statement accurately. He ends the interview by telling Ms. Compton-Burnett that she is a true original and that he greatly admires her individuality. Interview ends at 13:00. (part 2) Studs then begins an interview with Peter Hall at Aldwych theater office London, England. Mr.
Interviewing British dramatist-novelist Michael Frayn.
Discussing British depression with Frank Crawshaw at the Empress Theatre (part 3) while Studs was in England.
Discussing the British Depression with Frank Crawshaw at the Empress Theater, members of the West Ham old people's home, and Tommy Titmus of Clerkenwall Green while Studs was in England.
Drama historians and professors Dr. Emmett L. Avery of University of Washington and Dr. Arthur H. Scouten of University of Pennsylvania discuss the Restoration Comedy period of theater in England. The two served as editors of a twelve-volume collection that documents this period of theater in England. In this interview, the two discuss the cultural standards of the time, including how this period was when women were first allowed to be actors in productions. Studs plays "Concerto grosso in C Major, HWV 318 "Alexander's Feast": I. Allegro" - Philomusica of London (1960).
"George Bernard Shaw: My Astonishing Life" is a one-man show starring Donal Donnelly. As Donnelly said there wasn't enough time during the play to portray all parts of Shaw's history and experiences. Shaw was against all war, explained Donelly, because not only of the lives lost but no one knew what great doctors, or lawyers, or writers could have been, had those men not lost their lives. There are also two excerpts from a BBC recording in 1937 of George Bernard Shaw.