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Music, long hair and the war are among the topics discussed at the pub. Ingo plays the guitar and he's looking for fun with music. Ingo hopes to get married and have children one day. When asked about the war, Brigitte says she doesn't like to think about it and that people should forget about what happened. It's apparent that the group wants to live in peace but none of the individuals have any plans for making a better world.
Content Warning: This conversation includes racially and/or culturally derogatory language and/or negative depictions of Black and Indigenous people of color, women, and LGBTQI+ individuals. Rather than remove this content, we present it in the context of twentieth-century social history to acknowledge and learn from its impact and to inspire awareness and discussion. The conversation continues with Studs talking to the group about their futures. They say they're happiest when playing their music.
Shel Silverstein discusses his books and children's literature, and art. Shel Silverstein discusses his contemporaries, art, and life experiences.
Composer and Pulitzer prize winner for music Roger Sessions discusses his music and its reception by the Russian people. Sessions is known for his admiration for music genres such as modern music and its influence in his compositions.
Ray Davies of the English rock band, The Kinks, talks about the studio album, "Arthur (Or the Decline and Fall of the British Empire)". Davis reads lyrics from the songs, "Victoria," "Yes Sir, No Sir" and "Some Mother's Son".
Founded in 1978 and based in San Francisco, Chanticleer is the only full-time classical vocal ensemble in the United States. Comprised of twelve male voices, Chanticleer interprets vocal literature from Renaissance to the present.
At a young age, Peter Glossop knew that all he ever wanted to be was an opera singer. Glossop said with opera, there's the best of two worlds, both singing and acting. Verdi was a favorite, Glossop explained, as Verdi had written great roles for baritone singers. Sarah Caldwell was very good at playing music at a young age. She also loved the theatre. To her, it was a logical step to direct operas. Caldwell explained that her job as the director is to hold the audiences' attention and to make the piece real, to convey the playwright's message.
Interviewing Michael Feinstein, American singer, pianist, and music revivalist, about his music and his work cataloging Ira Gershwin’s collection of phonograph records.
Marjorie Guthie, the widow of folk singer of Woody Guthrie is in town for a fundraiser, raising money for Huntington's disease. Woody Guthrie died of the disease, which was passed down from his mother. Marjorie Guthrie also reflects on her courtship with Woody and she also talks about his music.
Leonard Bernstein discusses his career as a composer along with his thoughts on American culture, musical theater, Black music, classical music, and education; music is played throughout the program including songs from Marc Blitzstein's play "The Cradle Will Rock."
Musicians Jerry Fuller, Jeff Bradetich, and Judi Bradetich discuss their careers and recently released works such as Fuller's Songs, Dances and Fantasy, and Bradetich's latest work, Broadway for All the Hear. Pieces from both of these works are performed during the interview, including Broadway pieces from Cabaret, West Side Story, and music highlighting the double bass's sounds.
Jan Eaglen, British soprano, discusses her career as an opera singer and trends in opera music.
Bandleader, jazz musicologist and composer James Dapogny discusses his work in reviving the sound and art of jazz. Dapogny's work is mainly associated with his group James Dapogny's Chicago Jazz Band and his career in publishing lost works of Ferdinand "Jelly Roll" Morton.